The play has generally been well received in both Canada and Australia. In Toronto, Joe Szekeres, chief critic for the Onstage Blog writes, "Canadian playwright Hannah Moscovitch viscerally overturned the
#metoo movement on its head with a sizable goose egg bump at the premiere", and Carly Maga, theatre critic at the
Toronto Star calls Moscovitch, "in control of her narrative, which she increasingly makes clear in her characterizations", claiming it to be "a powerful thing to witness." In
Melbourne, Jane Mulkerrins at
The Age adds the play explores "deftly subverting traditional tropes within the age-old story of a student-teacher affair". == References ==