Enslaved Africans were taken to South America to work in a range of industries. Their customs, music, was merged with the native cultures gave rise to mixtures. The specific history of many of these practices has disappeared, but many authors have worked to identify cultural survivals in Afro-descended groups throughout South America. Many dances have been derived from the saya.
Caporales was based on these dances, created and presented to the public for the first time in 1969 by the Estrada brothers who were inspired in the Afro-Bolivian saya character of the
Caporal. This character was, in turn, inspired by the foreman on the
haciendas of the Yungas. In the present day, Afro-Bolivians have used the saya in their struggle to reclaim their rights within Bolivian society. In this movement, the saya has functioned both as a way of expressing and solidifying Afro-Bolivian identity among black Bolivians, and as a way to express their identity in the context of national social movements based on ethnic identities. == Dances derived from the saya ==