Bourdon was born in
Montpellier, France, the son of a Protestant glass painter. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636. There he studied the paintings of masters such as
Nicolas Poussin,
Claude Lorrain and
Caravaggio. He was forced to flee Rome in 1638, fearing prosecution for his
Reformed Protestant faith. He lived in Paris from 1637 to 1652. In 1652 he departed for Sweden, where Queen
Christina of Sweden made him her first
court painter. Bourdon's facility rendered him adept at portraiture, whether in a dashing
Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of
Gaspar Dughet or
capricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch
Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. Some of his work was in the neoclassical style of
Parisian Atticism. Bourdon spent most of his working career outside France, where, though he was a founding member of the Académie royale, he was for long largely dismissed as a
pasticheur, a situation partly rectified by a comprehensive exhibition in 2000 of his work at the
Musée Fabre, Montpellier (whose collection includes a fine
Lamentation painted in the last years of his life). His success required the establishment of an extensive atelier, where his pupils included
Nicolas-Pierre Loir and
Pierre Mosnier. He died in Paris in 1671. ==References==