Merseburg charms

with other manuscripts. The Merseburg charms are the only known surviving relics of pre-Christian, pagan poetry in Old High German literature. The charms were recorded in the 10th century by a cleric, possibly in the abbey of Fulda, on a blank page of a liturgical book, which later passed to the library at Merseburg. The charms have thus been transmitted in Caroline minuscule on the flyleaf of a Latin sacramentary. The spells became famous in modern times through the appreciation of Jacob Grimm, who wrote as follows: Lying between Leipzig, Halle and Jena, the extensive library of the Cathedral Chapter of Merseburg has often been visited and made use of by scholars. All have passed over a codex which, if they chanced to take it up, appeared to offer only well-known church items, but which now, valued according to its entire content, offers a treasure such that the most famous libraries have nothing to compare with it... The spells were published later by Jacob Grimm in On two newly-discovered poems from the German Heathen Period (1842). The manuscript of the Merseburg charms was on display until November 2004 as part of the exhibition "Between Cathedral and World - 1000 years of the Chapter of Merseburg," at Merseburg cathedral. They were previously exhibited in 1939. ==The texts==

Each charm is divided into two parts: a preamble telling the story of a mythological event; and the actual spell in the form of a magic analogy (just as it was before... so shall it also be now...). In their verse form, the spells are of a transitional type; the lines show not only traditional alliteration but also the end-rhymes introduced in the Christian verse of the 9th century. First Merseburg Charm The first spell is a "Lösesegen" (blessing of release), describing how a number of "Idisen" freed from their shackles warriors caught during battle. The last two lines contain the magic words "Leap forth from the fetters, escape from the foes" that are intended to release the warriors. Second Merseburg Charm Phol is with Wodan when Balder's horse dislocates its foot while he is riding through the forest (holza). Wodan intones the incantation: "Bone to bone, blood to blood, limb to limb, as if they were mended". Figures that can be clearly identified within Continental Germanic mythology are "Uuôdan" (Wodan) and "Frîia" (Frija). Depictions found on Migration Period Germanic bracteates are often viewed as Wodan (Odin) healing a horse. Comparing Norse mythology, Wodan is well-attested as the cognate of Odin. Frija is the cognate of Frigg. Balder is Norse Baldr. Phol is possibly the masculine form of Uolla. According to Jacob Grimm, the context would make it clear that it is another name for Balder. The identification with Balder is not conclusive. Modern scholarship suggests that Freyr might be meant. Uolla is cognate with Old Norse Fulla, a goddess there also associated with Frigg. Sunna (the personified sun) is in Norse mythology Sól. Sinthgunt is otherwise unattested. ==Parallels==

The First Merseburg Charm (loosening charm)'s similarity to the anecdote in Bede's Hist. Eccles., IV, 22 has been noted by Jacob Grimm. In this Christianized example, it is the singing of the mass, rather than the chanting of the charm, that effects the release of a comrade (in this case a brother). The unshackled man is asked "whether he had any spells about him, as are spoken of in fabulous stories", which curiously has been translated as "loosening rune (about him)" () in the Anglo-Saxon translation of Bede, as has been pointed out by Sophus Bugge. Bugge makes this reference in his edition of the Eddaic poem Grógaldr (1867), in an attempt to justify his emending the phrase "Leifnir's fire (?)" () into "loosening charm" () in the context of one of the magic charms that Gróa is teaching to her son. But this is an aggressive emendation of the original text, and its validity as well as any suggestion to its ties to the Merseburg charm is subject to skepticism. Many analogous magic incantations to the Second Merseburg Charm (horse-healing spell) have been noted. Some paralleling is discernible in other Old German spells, but analogues are particularly abundant in folkloric spells from Scandinavian countries (often preserved in so-called "black books"). Similar charms have been noted in Gaelic, Lettish and Finnish suggesting that the formula is of ancient Indo-European origin. Parallels have also been suggested with Hungarian texts. Some commentators trace the connection back to writings in ancient India. Other Old High German and Old Saxon spells Other spells recorded in Old High German or Old Saxon noted for similarity, such as the group of spells for casting out the (worm) causing the affliction.). The title is Latin: }} As Grimm explains, the spell tells the worm and its nine young ones to begone, away from the marrow to bone, bone to flesh, flesh to hide (skin), and into the (arrow), which is the implement into which the pest or pathogen is to be coaxed. Grimm insists that this charm is "about lame horses". And the "transitions from marrow to bone (or sinews), to flesh and hide, resemble phrases in the sprain-spells", i.e. the Merseburg horse-charm types. Scandinavia Jacob Grimm in his Deutsche Mythologie, chapter 38, listed examples of what he saw as survivals of the Merseburg charm in popular traditions of his time: from Norway a prayer to Jesus for a horse's leg injury, and two spells from Sweden, one invoking Odin (for a horse suffering from a fit or equine distemper This appears to be the same spell in English as given as a parallel by a modern commentator, though he apparently misattributes it to the 19th century. The texts and translations will be presented side-by-side below: The number of Norwegian analogues is quite large, though many are just variations on the theme. A similar spell is known to being used by Lisbet Nypan, who was burned as a witch in 1670. Bishop Anton Christian Bang compiled a volume culled from Norwegian black books of charms and other sources, and classified the horse-mending spells under the opening chapter "Odin og Folebenet", strongly suggesting a relationship with the second Merseburg incantation. Bang here gives a group of 34 spells, mostly recorded in the 18th–19th century though two are assigned to the 17th (c. 1668 and 1670), From Bishop Bang's collection, the following is a list of specific formulas discussed as parallels in scholarly literature: • No. 2, "Jesus og St. Peter over Bjergene red.." (c. 1668. From Lister og Mandal Amt, or the modern-day Vest-Agder. Ms. preserved at the Danish Rigsarkivet) • No. 6, Jesus red sig tile Hede.." (c. 1714. Veø, Romsdal). Same as Grimm's LII quoted above. • No, 20, "Jeus rei sin Faale over en Bru.." (c. 1830. Skåbu, Oppland. However Wadstein's paper does not focus the study on the base text version, but the variant Ms. B which has the "Faale" spelling) • No. 22, "Vor Herre rei.." (c. 1847. Valle, Sætersdal. Recorded by Jørgen Moe) It might be pointed out that none of the charms in Bang's chapter "Odin og Folebenet" actually invokes Odin. The idea that the charms have been Christianized and that the presence of Baldur has been substituted by "The Lord" or Jesus is expressed by Bang in another treatise, crediting communications with Bugge and the work of Grimm in the matter. Jacob Grimm had already pointed out the Christ-Balder identification in interpreting the Merseburg charm; Grimm seized on the idea that in the Norse language, "White Christ (hvíta Kristr)" was a common epithet, just as Balder was known as the "white Æsir-god" Another strikingly similar "horse cure" incantation is a 20th-century sample that hails the name of the ancient 11th-century Norwegian king Olaf II of Norway. The specimen was collected in Møre, Norway, where it was presented as for use in healing a bone fracture: This example too has been commented as corresponding to the second Merseburg Charm, with Othin being replaced by Saint Olav. Sweden Several Swedish analogues were given by Sophus Bugge and by Viktor Rydberg in writings published around the same time (1889). The following 17th-century spell was noted as a parallel to the Merseburg horse charm by both of them: Another example (from Kungelf's Dombok, 1629) was originally printed by Arcadius: A spell beginning "" (from Sunnerbo hundred, Småland 1746) was given originally by Johan Nordlander. A very salient example (from Jellundtofte socken, Västbo hundred in Småland), though contemporary to Bugge's time, is a Sign of the Cross incantation () that invokes Odin's name: Denmark A Danish parallel noted by A. Kuhn is the following: Scotland Grimm also exemplified a Scottish charm (for people, not horses) as a salient remnant of the Merseburg type of charm.) also records a version of a horse spell which was chanted while "at the same time tying a worsted thread on the injured limb". Macbain goes on to quote another Gaelic horse spell, one beginning "" from Cuairtear nan Gleann (July 1842) that invokes St. Bride as a "he" rather than "she", plus additional examples suffering from corrupted text. Ancient India There have been repeated suggestions that healing formula of the Second Merseburg Charm may well have deep Indo-European roots. A parallel has been drawn between this charm and an example in Vedic literature, an incantation from the 2nd millennium BCE found in the Atharvaveda, hymn IV, 12: This parallelism was first observed by Adalbert Kuhn, who attributed it to a common Indo-European origin. This idea of an origin from a common prototype is accepted by most scholars, although some have argued that these similarities are accidental. The Rohani ( ) here apparently does not signify a deity, but rather a healing herb; in fact, just an alternative name for the herb arundathi mentioned in the same strain. ==See also==