From retrospective reviews,
Tom Milne in the
Monthly Film Bulletin stated the film is split into "roughly three unequal parts" commenting that the "first and best, combining psychological subtlety and stark dramatic effect in the manner that was to become Pabst's trademark, is the opening sequence" while calling the final sequence of the film a "truly hideous final sequence, a tacked-on happy ending." Milne concluded that the film sees Pabst "engaged on a trial run for the much more integrated approach to the unconscious and its aberrations which lowered in
The Love of Jeanne Ney,
Crisis and ''
Pandora's Box''." Troy Howarth commented in his book
Tome of Terror: Horror Films of the Silent Era that the film was "a reasonably compelling psychological thriller" and that "Krauss is too old for the part, which requires the viewer to believe that he's married to a childhood sweetheart easily 20 years younger than he is." ==References==