Perception Perceptual experience refers to "an immediate consciousness of the existence of things outside us". This
representation of the
external world happens through stimuli registered and transmitted by the senses. Perceptual experience occurs in different modalities corresponding to the different senses, e.g. as
visual perception,
auditory perception or
haptic perception. It is usually held that the objects perceived this way are
ordinary material objects, like stones, flowers, cats or airplanes that are presented as public objects existing independent of the mind perceiving them. They thereby deny that ordinary material things are the objects of perception. Other approaches include adverbialism and intentionalism. This is different from
semantic memory, in which one has access to the knowledge of various facts concerning the event in question without any experiential component associated with this knowledge. But this re-experiencing is not an exact copy of the original experience since the experienced event is presented as something in the past seen from one's current perspective, which is associated with some kind of feeling of pastness or familiarity not present in the original experience.
Imaginative experience involves a special form of representation in which objects are presented without aiming to show how things actually are. Like memory and unlike perception, the associated mental images are normally not caused by the stimulation of sensory organs. It is often held that both imagination and memory depend on previous perceptual acquaintance with the experienced contents. But unlike memory, more freedom is involved in most forms of imagination since the subject can freely vary, change and recombine various of the experienced contents while memory aims to preserve their original order. Despite its freedom and its lack of relation to actuality, imaginative experience can serve certain epistemological functions by representing what is possible or conceivable. This way, ideas or
propositions are entertained, judged or connected. It is similar to memory and imagination in that the experience of thinking can arise internally without any stimulation of the sensory organs, in contrast to perception. But thinking is still further removed from sensory contents than memory and imagination since its contents belong to a more abstract level. It is closely related to the phenomenon of speech, with some theorists claiming that all thinking is a form of inner speech expressed in language. But this claim is controversial since there seem to be thoughts that are not linguistically fully articulated. But the more moderate claim is often accepted that thinking is associated with dispositions to perform speech acts. On this view, making a judgment in thought may happen non-linguistically but is associated with a disposition to linguistically affirm the judged proposition. Various types of thinking are discussed in the academic literature. They are sometimes divided into four categories:
concept formation,
problem solving,
judgment and
decision making, and
reasoning. It involves the enjoyment of something, like eating a cake or having sex. When understood in the widest sense, this includes not just sensory pleasures but any form of pleasant experience, such as engaging in an intellectually satisfying activity or the joy of playing a game. Pleasure comes in degrees and exists in a dimension that includes negative degrees as well. These negative degrees are usually referred to as pain and suffering and stand in contrast to pleasure as forms of feeling bad. Discussions of this dimension often focus on its positive side but many of the theories and insights apply equally to its negative side. There is disagreement among philosophers and psychologists concerning what the nature of pleasure is. Some understand pleasure as a simple sensation. On this view, a pleasure experience is an experience that has a pleasure-sensation among its contents.
Emotional experiences come in many forms, like fear, anger, excitement, surprise, grief or disgust. They usually include either
pleasurable or unpleasurable aspects. For example, suddenly encountering a grizzly bear while hiking may evoke an emotional experience of fear in the hiker, which is experienced as unpleasant, which represents the bear as dangerous, which leads to an increase in the heart rate and which may provoke a fleeing reaction. While the experience of positive emotions is, to some extent, its own justification, and it is by these experiences or the desire for them that individuals tend to be motivated, the experience of
negative emotions is sometimes claimed to cause personal growth; and, hence, to be either necessary for, or at least beneficial in, creating more productive and resilient people—though the necessity of resilience in the first place, or of negative experiences
in re growth, has been questioned by others.
Moods are closely related to emotions, but not identical to them. Like emotions, they can usually be categorized as either positive or negative depending on how it feels to have them. One core difference is that emotional experiences usually have a very specific object, like the fear of a bear. Mood experiences, on the other hand, often either have no object or their object is rather diffuse, like when a person is anxious that
something bad might happen without being able to clearly articulate the source of their anxiety. Other differences include that emotions tend to be caused by specific events, whereas moods often lack a clearly identifiable cause, and that emotions are usually intensive, whereas moods tend to last longer. Examples of moods include anxiety, depression, euphoria, irritability, melancholy and giddiness.
Desire and agency Desires comprise a wide class of
mental states. They include unconscious desires, but only their conscious forms are directly relevant to experience. Conscious desires involve the experience of wanting or wishing something. This is often understood in a very wide sense, in which phenomena like love, intention, and thirst are seen as forms of desire. They are usually understood as attitudes toward conceivable
states of affairs. They represent their objects as being valuable in some sense and aim to realize them by changing the world correspondingly. This can either happen in a positive or a negative sense. In the positive sense, the object is experienced as good and the aim is to create or maintain it. In the negative sense, the object is experienced as bad and the aim is to destroy it or to hinder it from coming into existence. In intrinsic desires, the object is desired for its own sake, whereas in extrinsic desires, the object is desired because of the positive consequences associated with it.
Agency refers to the capacity to
act and the manifestation of this capacity. Its experience involves various different aspects, including the formation of
intentions, when planning possible courses of action, the decision between different alternatives, and the effort when trying to realize the intended course of action. But not all experiences of desire are accompanied by the experience of agency. This is the case, for example, when a desire is fulfilled without the agent trying to do so or when no possible course of action is available to the agent to fulfill the desire. In a more restricted sense, the term "
sense of agency" refers to the impression of being in control and being the owner of one's action. It is often held that two components are the central sources of the sense of agency. On the one hand, the agent constantly makes predictions about how their intentions will influence their bodily movement and compares these predictions to the sensory feedback. On this view, a positive match generates a sense of agency while a negative match disrupts the sense of agency.
Non-ordinary experience The terms "non-ordinary experience", "anomalous experience" or "
altered state of consciousness" are used to describe a wide variety of rare experiences that significantly differ from the experience in the ordinary waking state. Examples of non-ordinary experiences are
religious experiences, which are closely related to spiritual or
mystical experiences,
out-of-body experiences,
near-death experiences,
psychotic episodes, and
psychedelic experiences. They often involve some kind of encounter with a divine person, for example, in the form of seeing God or hearing God's command. But they can also involve having an intensive feeling one believes to be caused by God or recognizing the divine in nature or in oneself. Some religious experiences are said to be
ineffable, meaning that they are so far away from the ordinary that they cannot be described in words. Out-of-body experiences involve the impression of being detached from one's material body and perceiving the external world from this different perspective. In them, it often seems to the person that they are floating above their own body while seeing it from the outside. They can have various different causes, including
traumatic brain injuries,
psychedelic drugs, or
sleep paralysis. They can also take the form of near-death experiences, which are usually provoked by life-threatening situations and include contents such as flying through a tunnel towards a light, talking to deceased relatives, or a
life review, in which a person sees their whole life flash before their eyes. It is uncontroversial that these experiences occur sometimes for some people. In one study, for example, about 10% report having had at least one out-of-body experience in their life. But it is highly controversial how reliable these experiences are at accurately representing aspects of reality not accessible to ordinary experience. This is due to the fact that various wide-reaching claims are made based on non-ordinary experiences. Many of these claims cannot be verified by regular perception and frequently seem to contradict it or each other. Based on religious experience, for example, it has been claimed that a divine creator distinct from nature exists or that the divine exists in nature. Defenders of such claims often contend that we have no decisive reason to deny the reliability of such experiences, for example, because they are in important ways similar to regular sensory experience or because there is an additional cognitive faculty that provides us access to knowledge beyond the regular senses. Flow is of particular interest to
positive psychology because its experience is pleasurable. Aesthetic experience is a central concept in the
psychology of art and
experimental aesthetics. It refers to the experience of
aesthetic objects, in particular, concerning
beauty and
art. There is no general agreement on the fundamental features common to all aesthetic experiences. Some accounts focus on features like a fascination with an aesthetic object, a feeling of unity and intensity, whereas others emphasize a certain psychological distance from the aesthetic object in the sense that the aesthetic experience is disconnected from practical concerns.
Transformative experiences are experiences involving a radical transformation that leaves the experiencer a different person from who they were before. Examples of transformative experiences include having a child, fighting in a war, or undergoing a religious conversion. They involve fundamental changes both in one's beliefs and in one's core preferences. == In various disciplines ==