The film received generally favorable reviews from critics, who praised its direction, screenplay, and the performances of Porcaroli and Guglielmino. Emanuele Bucci of
Ciak drew comparisons to the director's previous work, Amanda (2022), highlighting similar themes such as "critiques of the upper-class microcosm" and the portrayal of "clashing female characters." Damiano Panattoni of Movieplayer.it described the film as "a dysfunctional coming-of-age story that emphasizes the importance of writing in its visual execution," referring to the director as "a highly interesting filmmaker." Giorgio Amadori of Sentieri Selvaggi characterized the film as an "absurdist comedy" that distinguishes itself from Italian cinema, drawing parallels to the works of Joel and Ethan Coen and Wim Wenders. While he acknowledged some "heavy-handedness" in the screenplay, he appreciated the film's divisive, imperfect nature, noting that it could even be "off beat" in certain aspects. In addition,
Dazed ranked the film 11th on its list of the best films of 2025. == References ==