The miniseries received mixed reviews. Abhimanyu Mathur of
Hindustan Times praised
The Butcher of Delhi and compared it above other Netflix Indian true crime series, noting that it builds mystery around Jha's motives and actions instead of following a typical
whodunit format. Joel Keller of
Decider noted that "The show gets to the point... [it] doesn’t pad its runtime with off-topic examinations of the time period or unnecessary biographical sketches". M.N. Miller of
Ready Steady Cut praised Sood's direction and how
The Butcher of Delhi "gets into the head of the killer", as did Bhavya Sadhwani of
India Times, who noted the impartial narration. Veronica Loop of
Martin Cid Magazine praised its style and pacing, saying
The Butcher of Delhi was "hefty, truculent, and provocative". Ameen of
Leisurebyte drew attention to how it "puts forward the reality of the lower strata of the society who are so beaten down by the people above them and how even justice is not on their side in most cases, even neglects them". In contrast, Bhuvanesh Chandar of
The Hindu found the show to be
cliché, describing its exploration of both the events and Jha's motives and life as "shallow and unconvincing". Chandar concludes that
The Butcher of Delhi "clearly stays away from Chandrakant's accusations of police brutality" and that "[ultimately] milking the shock value of a criminal case only gets you so far". Tanvi Trehan of
ThePrint echoed Chandar's complaints, saying that the series "fails to question the police", but praised Singh's recount. and Pratikshya Mishra of
The Quint felt that
The Butcher of Delhi was "derailed by its [sensationalist] approach", somewhat addressing the need for police reform but "immediately countering it". Although ultimately recommending
The Butcher of Delhi, praising it as "intriguing" and depicting a "brutality and disrespect of life that is very hard to relate to", Karina Adelgaard of
Heaven in Horror said that the first episode was "messy" and questioned the reliability of the police accounts. Poulomi Das of
Firstpost said that the show followed the same "frustrating template" as Netflix's other Indian true crime series—"[building] itself around a gruesome, headline-grabbing case [then proceeding] to use the police investigation to paint a selective portrait of the societal inequalities that breeds criminals... [In] their attempt to cover multiple vantage points of one single crime, these documentaries overcrowd their own narratives, often rushing through points instead of making any." Das also criticized the pacing, "unimaginative" filmmaking and exposition. He concludes "that the series is content with endorsing the official version of events couldn’t be any more obvious. It’s exactly why
Indian Predator: The Butcher of Delhi lacks the thrills." Many critics compared it both favorably and unfavorably to
House of Secrets: The Burari Deaths (2021), either as being similar to it or not being able to meet its standards. == Franchise ==