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Penitential psalm

The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142.Psalm VI – Domine, ne in furore tuo arguas me.. Psalm XXXI (32) – Beati quorum remissae sunt iniquitates. Psalm XXXVII (38) – Domine ne in furore tuo arguas me.. Psalm L (51) – Miserere mei, Deus, secundum magnam misericordiam tuam. Psalm CI (102) – Domine, exaudi orationem meam, et clamor meus ad te veniat. Psalm CXXIX (130) – De profundis clamavi ad te, Domine. Psalm CXLII (143) – Domine, exaudi orationem meam: auribus percipe obsecrationem meam in veritate tua.

Indulgence
With the bull Supremi omnipotentis Dei of 11 March 1572, Pope Saint Pius V granted an indulgence of 50 days for those who recite the penitential psalms. The 2004 Enchiridion Indulgentiarum granted a partial indulgence to those who pray the penitential psalms in preparation for the Sacrament of Penance. == Musical settings ==
Musical settings
Perhaps the most famous musical setting of all seven is by Orlande de Lassus, with his Psalmi Davidis poenitentiales of 1584. There are also settings by Andrea Gabrieli and by Giovanni Croce. The Croce pieces are unique in being settings of Italian sonnet-form translations of the Psalms by Francesco Bembo. These were widely distributed; they were translated into English and published in London as Musica Sacra; and were even translated (back) into Latin and published in Nürnberg as Septem Psalmi poenitentiales. William Byrd set all seven Psalms in English versions for three voices in his Songs of Sundrie Natures (1589). Settings of individual penitential psalms have been written by many composers. Well-known settings of the Miserere (Psalm 50/51) include those by Gregorio Allegri and Josquin des Prez; yet another is by Bach. Settings of the De profundis (Psalm 129/130) include two in the Renaissance by Josquin. == References ==
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