After an early career of performing and recording for the Paramount label in the 1930s, James recorded nothing and drifted in and out of music, virtually unknown. In 1964, blues enthusiasts
John Fahey,
Bill Barth and
Henry Vestine found him in a hospital in
Tunica, Mississippi. The "rediscovery" of both James and of
Son House at virtually the same moment was the start of the "blues revival" in America. Fahey and his partner in
Takoma Records,
ED Denson, signed James to a recording contract. Along with Barth, they arranged for sessions with sound engineer Gene Rosenthal in Rosethal's basement studio in Silver Spring, Maryland. Although James was not initially
covered as frequently as other rediscovered musicians, the
British rock band,
Cream's version of "I'm So Glad" provided him the only windfall of his career. Cream based their version on James's simplified 1960s recording, instead of the faster, more intricate 1931 original.
Deep Purple covered "I'm So Glad" on their first album,
Shades of Deep Purple. ==Reception==