Critical response On the
review aggregator website
Rotten Tomatoes, the film holds an approval rating of 43% based on 61 reviews. The website's critics consensus reads, "Despite its charming young leads, ''She's All That'' can't overcome its predictable, inconsistently funny script." On
Metacritic, which assigns a
weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 51, based on reviews from 32 critics, indicating "mixed or average" reviews. It was the last film to be reviewed by
Gene Siskel before his death in February 1999. Siskel gave a positive review and wrote, "Rachael Leigh Cook, as Laney, the plain Jane object of the makeover, is forced to demonstrate the biggest emotional range as a character, and she is equal to the assignment."
Roger Ebert suggested: "To give the movie credit, it's as bored with the underlying plot as we are. Even the prom queen election is only a backdrop for more interesting material, as ''She's All That
explores differences in class and style, and peppers its screenplay with very funny little moments." Ebert says it "is not a great movie, but it has its moments", giving it 2.5 out of 4 stars. Stephen Holden of The New York Times'' praised Cook for her performance, comparing her to
Winona Ryder, saying, "Unlike so many actors playing smart young people, she actually projects some intelligence along with a sly sense of comedy."
Mick LaSalle of the
San Francisco Chronicle calls it "About one idea short of being an excellent teenage romance. As it stands it's a pleasing but routine effort." LaSalle criticized the film for running out of plot about halfway, saying the "story line is stretched to the breaking point. In one instance, director Robert Iscove stops the action for a long dance sequence, set at the prom, that has nothing to do with anything." He commented the film is "intermittently funny" and praised Matthew Lillard's performance, calling it the best thing in the picture. Geoff Berkshire of
Variety was critical of the lack of originality, and wrote, "Suggesting that Miramax needs to put
Kevin Williamson on permanent retainer if it's going to remain in the teen-pics field, ''She's All That
notably fails to bring to comedy the insight that the Williamson-penned Scream'' brought so memorably to horror". Berkshire was positive about the two leads, saying "appealing young actors come off as competent, nothing more, given a context that can't be transcended." He described the direction as "nothing to be ashamed of here, but nothing of any distinction, either", and noted the soundtrack as a not unexpected plus. Jane Ganahl of the
San Francisco Examiner wrote, "And once, just once, I'd love to see a teen flick that doesn't send out a message to young girls that to be acceptable, you have to conform. I liked the artist girl much better before." William Thomas of
Empire criticized the film, saying that despite a few scenes, "The rest is just breezy propaganda for American high school fascism", and "The most worrying thing about ''She's All That'' is its message. The '
ugly duckling' (specs, dungarees, art-lover) must conform (she gets a makeover and the boys notice her "bobos" for the first time) to fit in."
Box office ''She's All That
premiered on January 19, 1999, at the Mann Festival Theater in Westwood, Los Angeles. The film went into general release on January 29. It was released in Italy under the title Kiss Me''. The film reached number one at the box office in the first week of its release, grossing $16.1 million over the
Super Bowl opening weekend. It earned $63.4 million in the United States and $39.8 million at international box offices, totaling $103.2 million worldwide against a production budget between $7–10 million. Miramax spent a further $18 million on television advertising to promote the film.
Accolades ==Home media==