After emerging on
Casablanca Records as the foremost female star of the
disco era of the 1970s, Summer in 1980 had sued for release from Casablanca to sign with
David Geffen as the inaugural artist for his
Geffen label where her recordings were a comparatively modest success: also Summer and David Geffen developed a contentious relationship evidenced by Summer's 1981 studio album ''
I'm a Rainbow being shelved and the singer being forced by Geffen to leave her longtime producer Giorgio Moroder to record the 1982 studio album Donna Summer'' with
Quincy Jones. Although Summer considered then reteaming with Moroder (Donna Summer quote:)"I met him in New York and he played me some songs. I didn't think they were right for me."..."I was depressed [not knowing] who was producing my next album. So I prayed about it [and]
Michael [Omartian] popped into my head. I had met him only once briefly at the
Grammys and he said he was
born again. I called his wife [Stormie Omartian], and she told me she had the same idea about him producing me....That was God at work....I could have worked with someone who wasn't born again, but I wouldn't have had that same great feeling." Michael Omartian would attribute Summer's interest in working with him to her having been impressed by the 1980 Omartian-produced #1
Christopher Cross hit "
Sailing". Since departing Casablanca Records in 1980, Summer had been involved in litigation with the label's parent company
PolyGram which had cost Summer some $81.6 million in lawyer's fees by 1983, which year (Donna Summer quote:)"I told my lawyers they were fired. I went in and saw the guy at PolyGram personally", negotiating an out-of-court settlement which included Summer's Omartian-produced tracks being given to PolyGram, David Geffen having decided for the second time not to issue an album recorded by Summer. PolyGram affiliate
Mercury Records issued Summer's Omartian-produced tracks as the album
She Works Hard for the Money in July 1983, the
title cut issued as advance single on 10 May 1983 to become Summer's biggest hit since 1979, peaking at #3 peak on the
Hot 100 in
Billboard where it also spent three weeks at #1 on the
R&B chart with this success impelling its parent album, released June 13, 1983, to #9.
She Works Hard for the Money was more
pop and
dance oriented than the two precedent Donna Summer studio albums, but also contained some soulful ballads, including "
Love Has a Mind of Its Own", a duet with
gospel singer
Matthew Ward. It also contained a
reggae-styled song called "
Unconditional Love" which featured vocals by young black British group
Musical Youth. Lyrically, the album dealt with subjects such as social injustice ("Stop, Look and Listen"), Jesus Christ ("He's a Rebel") and missing children ("
People, People"). Many fans saw the album as a "return to form" for Summer – she was once again presented as a strong, powerful woman very much in control. During the 1970s, Summer's management had worked hard to portray her as a powerful, sexual fantasy figure to the point where they had become too involved in her personal life (which led to a period of depression for Summer before becoming a born-again Christian and filing a lawsuit against her record label). Since the disco era, Summer had experimented with different genres including
new wave and
rock, and some felt she had got a little "lost" in trying to find her musical place in the new decade.
She Works Hard for the Money was universally acclaimed by music reviews and the album had helped establish her place as a 1980s pop and dance diva. ==Release==