After earning her degree, Lynch moved back to New York from Texas to attempt to began an art career. This did not work out due to lack of funds for artists in New York at this time. Instead, she got a job at
Ken Burns' production company and worked with him for five years on documentaries including his series
Jazz (2000). Her skills in film and background in history contributed to her research and production for other documentaries, such as HBO Sports'
Do You Believe in Miracles? The Story of the 1980 U.S. Olympic Hockey Team (2001). She then worked on
Matters of Race: EveryOther (2003), which focused on racialized issues in the United States. Her interest in history and race lead to her to write, direct and produce her first independent film, ''Chisholm '72: Unbought and Unbossed''. Lynch heard about
Shirley Chisholm over the radio and this sparked old memories of her from her childhood. which premiered at the
Sundance Film Festival and won several awards including the George Foster Peabody Award. Profiling the historical sociopolitical journey of
Angela Davis, a
UCLA professor and social activist whose controversially-labelled voice helped to fuel the
feminist movement of the 1970s, and released to the public on April 5, 2013. With Lynch in the director's chair, the
CodeBlack documentary-style film was anchored with
Will Smith and
Jada Pinkett Smith serving as executive producers on the project. The film received honorable mention at the
Tribeca Film Festival and won Best Theatrical Documentary at the 2014
NAACP Image Awards. Since 2013, Lynch has worked at the
New York Public Library Schomburg Center for Research in Black Culture as the Curator of the Moving Image and Recorded Sound Division. Lynch received the Creative Capital grant in 2015 to sponsor the research and production of her next film, tentatively called
The Outlaw. Lynch became a member of the
Academy of Motion Picture Arts and Sciences in 2016. ==Personal life==