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Our Lady of Victory Basilica (Lackawanna, New York)

The Our Lady of Victory Basilica is a Catholic parish church and national shrine in Lackawanna, New York. Due to the multiple charities of founder Father Nelson Baker, the shrine is a popular pilgrimage and visitor destination in Lackawanna. It is part of the Diocese of Buffalo.

History
In 1916, fire seriously damaged St. Patrick's Parish Church in Lackawanna, New York. Repairs were made, but Father Baker, superintendent priest of the busy parish developed plans to replace the church. On May 7, 1921, Father Baker celebrated the last Mass at St. Patrick's. The structure was immediately dismantled to make way for something larger. Construction on the basilica began in 1921 after Father Baker unveiled plans at a parish council meeting to build a shrine in homage to the Blessed Mother. Because of Baker's influence in the community and well-known charitable reputation across the nation, he was able to get sufficient financial support to begin construction quickly. Baker solicited support for his project, and thousands from across the nation contributed funding both large and small, mostly through a direct-mail fundraising club. Designed by Emile Ulrich, the basilica was constructed at a cost of $3.2 million, but the project was completed without the parish incurring any debt. By late 1925, construction on the sanctuary of Our Lady of Victory was complete, and the first Mass was held there on Christmas of that year. On May 25, 1926, a consecration ceremony took place presided over by Father Baker, Bishop William Turner of the Diocese of Buffalo, and Cardinal Patrick Hayes. Thousands of priests, religious sisters, and believers from across the nation attended the event. Two months later, Pope Pius XI designated the shrine with the honorable title of "Minor Basilica" via an apostolic decree. Baker was in charge of the basilica and the parish's various institutions of charity, until his death on July 29, 1936. The basilica has had only two significant changes to its original design. The first came in 1941 during a violent lightning storm that caused significant damage to the basilica's twin towers. Baker's first successor, Monsignor Joseph Maguire, took charge of the efforts to refurbish the structures. He had the marble towers replaced with the lower, enclosed, copper dome-tipped towers that still top the basilica today. Following the harsh winter of 2001–2002, the roof of the National Shrine was found to have significantly deteriorated. Its copper had turned a greenish hue due to overexposure to the elements (a similar chemical effect as seen on the Statue of Liberty) and was no longer weather tight. A new copper roof was installed. In 2001, a celebration of the National Shrine's Diamond Jubilee and basilica's 75 years in the making was held at the Our Lady of Victory Parish. On May 26, a special Mass was followed by a dinner party, at which hundreds of dignitaries, clergy members, and friends came together to celebrate the basilica and Father Baker's legacy. The basilica complex was listed on the National Register of Historic Places in 2024. ==Relics of Father Baker==
Relics of Father Baker
In July 1998, through the efforts of Bishop Henry J. Mansell, it was announced that the remains of Father Baker would be relocated from nearby Holy Cross Cemetery and reinterred in the basilica. The move was ordered by the Congregation for the Causes of Saints in Rome, to signify a step toward declaring Baker a saint. On March 11, 1999, Father Baker's casket was carried by six men who were raised by Baker, and placed in a sarcophagus within the Grotto Shrine to Our Lady of Lourdes, found on the southern end of the basilica's transept. It is estimated that nearly 6,000 people attended the event at the basilica that day to honor Baker and his work. The re-interment helped raise awareness of Baker, his mission, and his legacy across the world. On January 14, 2011, Pope Benedict XVI declared Fr. Baker "venerable". ==Architecture==
Architecture
Exterior The design of the exterior of the basilica was the work of French ecclesiastical architect Emile Ulrich. The majority of the exterior of the shrine is constructed almost entirely of pure white marble, supplied by the Georgia Marble Company of Tate, Georgia. Throughout the basilica's interior and parts of the exterior, a combination of more than 40 different types, colors, and designs of Italian marble can also be found. Great dome A prominent feature of the basilica's exterior is the large copper dome. The dome, measuring 165 feet in height, was second in size only to the U.S. Capitol building in Washington, D.C. at the time of its completion in 1926. Over the years, the dome's original copper has aged to a green patina, as expected. Four copper angel statues playing trumpets, measuring 18 feet tall, are mounted on the dome. Twin towers The original twin towers of the basilica, when completed in 1926, stood at a height of 165 feet (about 16 stories). The spires were made completely of marble and had an open design. In 1941, a violent lightning storm caused major damage to both the towers, forcing redesign and refurbishing. The new towers, enclosed and much shorter than the originals, are topped with copper domes, similar to the design of the basilica's Great Dome. Main entrance Two large colonnades extend outward and flank the exterior sides of the shrine at the main entrance. On top of each is a marble sculpture of a group of children overseen by a large angel. On the left colonnade (when facing the basilica's front), the children are led by a religious sister. This figure represents the Sisters of St. Joseph, the order which has staffed the Our Lady of Victory Institutions since 1856. On the right colonnade, the children are led by a priest, Father Baker. This figure of Baker was ordered by Ulrich to honor the priest for his several contributions to the Our Lady of Victory Institutions. Also at the entrance to the basilica is a domed niche that houses a 12-foot-tall, 16,000-pound (eight tons) statue of Our Lady of Victory, crafted of the finest Carrara marble available. Interior The great dome and ceiling The largest work of art is the decoration of the Great Dome, in diameter, which depicts the Assumption of Mary and the Blessed Mother's Coronation. Around the dome's outer edge, the 12 apostles and three archangels are shown, while an angelic host carries Mary towards heaven. Slightly higher within the dome, Jesus in red robes can be seen awaiting her. At the pinnacle of the dome, above the basilica floor, a white Dove of Peace looks down from Heaven at the basilica. From the Great Dome to the choir loft, the ceiling is covered by five giant murals. They depict Mary as Queen of Patriarchs, Queen of the Apostles, Queen of the Angels, Queen of the Prophets, and Queen of the Martyrs. The two walls on the basilica's sides feature huge paintings depicting scenes from the Gospels: the Massacre of the Innocents, the Flight into Egypt, and the Birth of Jesus at Bethlehem. The main altar The main altar features a tall, statue of Our Lady of Victory. This was blessed by Pope Pius XI after being sculpted in Italy. Baker placed a painting of the pope on the altar in return. Flanking the altar are four, swirled marble columns of rare red marble, reminiscent of St. Peter's Basilica in Rome. A legend told about the marble says a group of Buffalo-born soldiers stumbled upon the unique red marble while in Spain during World War I. Upon seeing it, the soldiers thought immediately of the basilica being built at home by Father Baker. They went to talk to the Spanish farmer who owned the property. After hearing the story of Father Baker, the farmer agreed to donate the "useless rock" on his property. Arrangements were made and the marble was sent to Lackawanna to complete the work on the basilica's altar. The main altar stands under a bright blue dome depicting the Holy Spirit in brilliant hues. On the ceiling over the altar, an elongated panel represents "Queen of All Saints". Among the saints are Mary Magdalene, St. Anthony, St. Elizabeth, St. Anne, and St. Theresa. had wanted to find a construction material that was "untouched by humans" to commemorate the vision of the Blessed Mother to St. Bernadette in Lourdes, France. Other places of interest Other sculptures and artwork: The interior is decorated with several religious paintings, sculptures, and mosaics depicting devotion to the Blessed Mother. It is estimated that from 1,500 to 2,500 angels can be found in the basilica in the sculptures and artwork. It was Baker's plan to place an angel in every possible sightline, to remind visitors that although the basilica is dedicated to Our Lady of Victory, its main purpose is meant primarily for God's praise and glory. Pews and aisle: The basilica's pews are made of rare African mahogany, and provide seating for more than 1,200 individuals. The shrine's floor and aisle are gradually sloped to ensure that all have an unobstructed view of the basilica's main altar. Altars: In keeping with the style of architecture, five unique altars line the rear wall behind the main altar. These altars are dedicated to: St. Patrick, St. Aloysius Gonzaga, Mary Immaculate, St. Anne, and St. Vincent de Paul whose life work with the poor and needy inspired Father Baker. Baptistery: Located adjacent to the main altar, the bapistery features a marble baptismal font, as well as dozens of wall and ceiling paintings with religious symbols and peoples. Father Baker Museum: During late 2009, construction began to create a small museum about Father Baker's life and the history of the Our Lady of Victory Institutions. It is located in the basilica's basement, where the chapel and Father Baker Rooms were formerly located. A number of photos, official documents, vintage newspapers, and Baker's belongings are on display. Items such as Father Baker's desk, books, clothing, and furniture can be found throughout the museum. Also in the museum are cases of photos, information, and memorabilia from the Our Lady of Victory Institutions, such as the Infant Home, Orphanage, Protectory, and the basilica itself. On that floor of the basilica is the remodeled gift shop offering religious items such as rosaries, and related goods. ==Gallery==
Gallery
File:Our Lady of Victory Basilica Ceiling Artwork.jpg|Artwork on the ceiling of the basilica. File:Our Lady of Victory Engraving.jpg|Engraving on top of entrance reading "Our Lady of Victory". File:Our Lady of Victory Basilica Panorama.jpg|The interior of the basilica. File:Our Lady of Victory Sign.jpg|Welcome sign for Fr. Baker's basilica and parish. File:Stations of the Cross Detail.jpg|A close up of The Pieta, one of the 14 Stations of the Cross. File:St. Anne Altar.jpg|One of five saints altars lining the wall behind the Main Altar. File:Blessed Mother Statue.JPG|One of several statues of Mary inside the basilica. File:Great Dome Exterior.jpg|A side view of the Great Dome exterior. File:Great Dome Exterior Detail.jpg|A close-up view of the Great Dome exterior. File:Our Lady of Victory Twin Towers.jpg|A front view of the basilica's twin towers. File:Main Altar.jpg|The main altar. File:Ceiling Murals.jpg|Murals on the interior ceiling. File:Tabernacle.jpg|One of the tabernacles. File:Tabernacle 2.jpg|Another of the tabernacles inside the basilica. File:Exterior Pan.ogg|The side and front exterior. File:Father Baker Sacrophagus.ogg|Grotto shrine to Lourdes with sarcophagus of Fr. Baker's remains. File:Great Dome & Main Altar.ogv|A pan down shot from the Great Dome to the main altar. File:Great Dome.ogg|Detail of the artwork and stained glass windows under Great Dome. File:Saint Altars.ogv|A few of the saint altars that line the wall behind main altar. ==References==
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