MarketHenryk Sienkiewicz
Company Profile

Henryk Sienkiewicz

Henryk Adam Aleksander Pius Sienkiewicz, also known by the pseudonym Litwos, was a Polish epic writer. He is remembered for his historical novels, such as the Trilogy series and especially for his internationally known best-seller Quo Vadis (1895–1896).

Life
Early life Sienkiewicz came into the world on 5 May 1846 in Wola Okrzejska, Lublin Governorate, now a village in the central part of the eastern Polish region of Lubelskie in the Kingdom of Poland, then part of the Russian Empire. More cautiously, he called on Russia's government to introduce reforms in Russian-controlled Congress Poland. During the Revolution in the Kingdom of Poland, he advocated broader Polish autonomy within the Russian Empire. , 1905 Sienkiewicz maintained some ties with Polish right-wing National Democracy politicians and was critical of the socialists, but he was generally a moderate and declined to become a politician and a deputy to the Russian Duma. In the cultural sphere, he was involved in the creation of the Kraków and Warsaw monuments to Adam Mickiewicz. He supported educational endeavors and co-founded the Polska Macierz Szkolna organization. "Reasonably wealthy" by 1908 thanks to sales of his books, he often used his new wealth to support struggling writers. He helped gather funds for social-welfare projects such as starvation relief, and for construction of a tuberculosis sanatorium at Zakopane. He was as prominent in philanthropy as in literature. In February 1895 he wrote the first chapters of Quo Vadis. The novel was serialized beginning in March 1895 in Warsaw's Polish Gazette, Kraków's Czas (Time), and Poznań's Dziennik Poznański (Poznań Daily). The novel was finished by March 1896. The book edition appeared later the same year and soon gained international renown. In February 1897 he began serializing a new novel, Krzyżacy (The Teutonic Knights, or The Knights of the Cross); serialization finished in 1900, and the book edition appeared that year. In 1900, with a three-year delay due to the approaching centenary of Mickiewicz's birth, Sienkiewicz celebrated his own quarter-century, begun in 1872, as a writer. Special events were held in a number of Polish cities, including Kraków, Lwów, and Poznań. A jubilee committee presented him with a gift from the Polish people: an estate at Oblęgorek, near Kielce, where he later opened a school for children. In 1905 he won the Nobel Prize for his lifetime achievements as an epic writer. In his acceptance speech, he said this honor was of particular value to a son of Poland: "She was pronounced dead – yet here is proof that she lives on.... She was pronounced defeated – and here is proof that she is victorious." His social and political activities resulted in a diminished literary output. He wrote a new historical novel, Na polu chwały (On the Field of Glory), that was meant as the beginning of a new trilogy; it was, however, criticized as being a lesser version of his original Trilogy and was discontinued. Similarly, his contemporary novel (Whirlpools), 1910, which criticized some of Sienkiewicz's political opponents, received a mostly polemical and politicized response. His 1910 novel for young people, W pustyni i w puszczy (In Desert and Wilderness), serialized in (The Warsaw Courier), finishing in 1911, was much better received and became widely popular among children and young adults. After the outbreak of World War I, Sienkiewicz was visited at Oblęgorek by a Polish Legions cavalry unit under Bolesław Wieniawa-Długoszowski. Soon after, he left for Switzerland. Together with Ignacy Paderewski and Erazm Piltz, he established an organization for Polish war relief. He also supported the work of the Red Cross. Otherwise he eschewed politics though shortly before his death he endorsed the Act of 5th November 1916, a declaration by Emperors Wilhelm II of Germany and Franz Joseph of Austria and king of Hungary, pledging the creation of a Kingdom of Poland envisioned as a puppet state allied with, and controlled by, the Central Powers. Death Sienkiewicz died on 15 November 1916 at the Grand Hotel du Lac in Vevey, Switzerland where he was buried on 22 November. The cause of death was ischemic heart disease. His funeral was attended by representatives of both the Central Powers and the Entente, and an address by Pope Benedict XV was read. In 1924, after Poland had regained her independence, Sienkiewicz's remains were repatriated to Warsaw, Poland, and placed in the crypt of St. John's Cathedral. During the coffin's transit, solemn memorial ceremonies were held in a number of cities. Thousands accompanied the coffin to its Warsaw resting place, and Poland's President Stanisław Wojciechowski delivered a eulogy. == Works ==
Works
His first work, "Victim", was written between 1865 and 1866 and is only known because of a letter in which he told to his friend that he burned the book simply because he was not satisfied with it. Sienkiewicz's early works (e.g., the 1872 ) show him a strong supporter of Polish Positivism, endorsing constructive, practical characters such as engineers. Polish "Positivism" advocated economic and social modernization and deprecated armed irredentist struggle. Unlike most other Polish Positivist writers, Sienkiewicz was a conservative. His Little Trilogy (Stary Sługa, 1875; Hania, 1876; Selim Mirza, 1877) shows his interest in Polish history and his literary maturity, including fine mastery of humor and drama. His early works focused on three themes: the oppression and poverty of the peasants ("Charcoal Sketches", 1877); criticism of the partitioning powers ("''", "Janko Muzykant" ["Janko the Musician"], 1879); and his voyage to the United States ("''", "For Bread", 1880). His most common motif was the plight of the powerless: impoverished peasants, schoolchildren, and emigrants. His "Latarnik" ("The Lighthouse-Keeper from Aspenwall", 1881) has been described as one of the best Polish short stories. His 1882 stories "''" ("Bart the Conqueror") and "Sachem''" draw parallels between the tragic fates of their heroes and that of the occupied Polish nation. His novel With Fire and Sword (1883–84) was enthusiastically received by readers (as were the next two volumes of The Trilogy), becoming an "instant classic", though critical reception was lukewarm. The Trilogy is set in 17th-century Poland. While critics generally praised its style, they noted that some historic facts are misrepresented or distorted. The Trilogy merged elements of the epic and the historical novel, infused with special features of Sienkiewicz's style. The Trilogy's patriotism worried the censors; Warsaw's Russian censor I. Jankul warned Sienkiewicz that he would not allow publication of any further works of his dealing with Polish history. , was a variant of this Łabędź (Swan) coat-of-arms. Sienkiewicz's Without dogma (Bez dogmatu, 1889–90) was a notable artistic experiment, a self-analytical novel written as a fictitious diary. His works of the period are critical of decadent and naturalistic philosophies. He had expressed his opinions on naturalism and writing, generally, early on in "''''" ("Naturalism in the Novel", 1881). A dozen years later, in 1893, he wrote that novels should strengthen and ennoble life, rather than undermining and debasing it. Later, in the early 1900s, he fell into mutual hostility with the Young Poland movement in Polish literature. These views informed his novel Quo Vadis (1896). This story of early Christianity in Rome, with protagonists struggling against the Emperor Nero's regime, draws parallels between repressed early Christians and contemporary Poles; and, due to its focus on Christianity, it became widely popular in the Christian West. The triumph of spiritual Christianity over materialist Rome was a critique of materialism and decadence, and also an allegory for the strength of the Polish spirit. His Teutonic Knights returned to Poland's history, describing the Battle of Grunwald (1410), a Polish-Lithuanian victory over the Teutonic Knights in the Polish-Lithuanian-Teutonic War. Both in German and Polish culture the Teutonic Knights were incorrectly viewed as precursors to modern Germans while the Polish-Lithuanian union was regarded as a model for a future independent Polish state. These assumptions tied in well with the contemporary political context of ongoing Germanization efforts in German Poland. So, the book quickly became another Sienkiewicz bestseller in Poland, and was received by critics better than his Trilogy had been; it was also applauded by the Polish right-wing, anti-German National Democracy political movement, and became part of the Polish school curriculum after Poland regained independence in 1918. It is often incorrectly asserted that Sienkiewicz received his Nobel Prize for Quo Vadis. While Quo Vadis is the novel that brought him international fame, the Nobel Prize does not name any particular novel, instead citing "his outstanding merits as an epic writer". Sienkiewicz often carried out substantial historic research for his novels, but he was selective in the findings that made it into the novels. Thus, for example, he prioritized Polish military victories over defeats. Sienkiewicz kept a diary, but it has been lost. A life of him written in English by Monica M. Gardner was published in 1926. == Recognition ==
Recognition
'', near Villa Borghese in Rome About the turn of the 20th century, Sienkiewicz was the most popular writer in Poland, and one of the most popular in Germany, France, Russia, and the English-speaking world. However, as Russia (of which Sienkiewicz was a citizen) was not a signatory to the Berne Convention, he rarely received any royalties from the translations. Named for Sienkiewicz, in Poland, are numerous streets and squares (the first street to bear his name was in Lwów, in 1907). A Sienkiewcz Mound stands at Okrzeja, near his birthplace, Wola Okrzejska. Nonetheless, the Polish historian of literature Henryk Markiewicz, writing the Polski słownik biograficzny (Polish Biographical Dictionary) entry on Sienkiewicz (1997), describes him as a master of Polish prose, as the foremost Polish writer of historical fiction, and as Poland's internationally best-known writer. == Bibliography ==
Filmography
Quo Vadis (dir. Enrico Guazzoni, 1913) • Obrona Częstochowy (dir. Edward Puchalski, 1913) • Quo Vadis (dir. Gabriellino D'Annunzio and Georg Jacoby, 1924) • Quo Vadis (dir. Mervyn LeRoy, 1951) • Szkice węglem (dir. Antoni Bohdziewicz, 1957) • Knights of the Teutonic Order (dir. Aleksander Ford, 1960) • Invasion 1700 (dir. Fernando Cerchio, 1962) • Colonel Wolodyjowski (dir. Jerzy Hoffman, 1969) • In Desert and Wilderness (dir. Władysław Ślesicki, 1973) • The Deluge (dir. Jerzy Hoffman, 1974) • Quo Vadis (TV miniseries, dir. Franco Rossi, 1985) • With Fire and Sword (dir. Jerzy Hoffman, 1999) • In Desert and Wilderness (dir. Gavin Hood, 2001) • Quo Vadis (dir. Jerzy Kawalerowicz, 2001) == See also ==
tickerdossier.comtickerdossier.substack.com