His first work, "Victim", was written between 1865 and 1866 and is only known because of a letter in which he told to his friend that he burned the book simply because he was not satisfied with it. Sienkiewicz's early works (e.g., the 1872 ) show him a strong supporter of
Polish Positivism, endorsing constructive, practical characters such as engineers. Polish "Positivism" advocated economic and social modernization and deprecated armed
irredentist struggle. Unlike most other Polish Positivist writers, Sienkiewicz was a conservative. His Little Trilogy (
Stary Sługa, 1875;
Hania, 1876;
Selim Mirza, 1877) shows his interest in
Polish history and his literary maturity, including fine mastery of humor and drama. His early works focused on three themes: the oppression and poverty of the peasants ("Charcoal Sketches", 1877); criticism of the partitioning powers ("''
", "Janko Muzykant" ["Janko the Musician"], 1879); and his voyage to the United States ("''", "For Bread", 1880). His most common motif was the plight of the powerless: impoverished peasants, schoolchildren, and emigrants. His "
Latarnik" ("
The Lighthouse-Keeper from Aspenwall", 1881) has been described as one of the best Polish short stories. His 1882 stories "''
" ("Bart the Conqueror") and "Sachem''" draw parallels between the tragic fates of their heroes and that of the occupied Polish nation. His novel
With Fire and Sword (1883–84) was enthusiastically received by readers (as were the next two volumes of
The Trilogy), becoming an "instant classic", though critical reception was lukewarm. The Trilogy is set in 17th-century Poland. While critics generally praised its style, they noted that some historic facts are misrepresented or distorted. The Trilogy merged elements of the
epic and the historical novel, infused with special features of Sienkiewicz's style. The Trilogy's patriotism worried the censors; Warsaw's Russian censor I. Jankul warned Sienkiewicz that he would not allow publication of any further works of his dealing with Polish history. , was a variant of this
Łabędź (Swan) coat-of-arms. Sienkiewicz's
Without dogma (
Bez dogmatu, 1889–90) was a notable artistic experiment, a self-analytical novel written as a fictitious diary. His works of the period are critical of
decadent and
naturalistic philosophies. He had expressed his opinions on naturalism and writing, generally, early on in "''''" ("Naturalism in the Novel", 1881). A dozen years later, in 1893, he wrote that novels should strengthen and ennoble life, rather than undermining and debasing it. Later, in the early 1900s, he fell into mutual hostility with the
Young Poland movement in Polish literature. These views informed his novel
Quo Vadis (1896). This story of
early Christianity in Rome, with protagonists struggling against the
Emperor Nero's regime, draws parallels between repressed early Christians and contemporary Poles; and, due to its focus on Christianity, it became widely popular in the Christian
West. The triumph of spiritual Christianity over materialist Rome was a critique of materialism and decadence, and also an allegory for the strength of the Polish spirit. His
Teutonic Knights returned to Poland's history, describing the
Battle of Grunwald (1410), a Polish-Lithuanian victory over the Teutonic Knights in the
Polish-Lithuanian-Teutonic War. Both in German and Polish culture the Teutonic Knights were incorrectly viewed as precursors to modern Germans while the Polish-Lithuanian union was regarded as a model for a future independent Polish state. These assumptions tied in well with the contemporary political context of ongoing
Germanization efforts in
German Poland. So, the book quickly became another Sienkiewicz bestseller in Poland, and was received by critics better than his Trilogy had been; it was also applauded by the Polish right-wing, anti-German
National Democracy political movement, and became part of the Polish school curriculum after Poland regained independence in 1918. It is often incorrectly asserted that Sienkiewicz received his Nobel Prize for
Quo Vadis. While
Quo Vadis is the novel that brought him international fame, the
Nobel Prize does not name any particular novel, instead citing "his outstanding merits as an epic writer". Sienkiewicz often carried out substantial historic research for his novels, but he was selective in the findings that made it into the novels. Thus, for example, he prioritized Polish military victories over defeats. Sienkiewicz kept a diary, but it has been
lost. A life of him written in English by
Monica M. Gardner was published in 1926. == Recognition ==