Sing Me No Lullaby received praise for its political content. The
New York Times asserted that "The third act of
Sing Me No Lullaby constitutes the most forceful statement anyone has made in the theatre for ages."
Richard Watts wrote that Ardrey was "striving with the most obvious sincerity to probe the unhealthy and hysterical political climate of America in the wake of the cold war." Atkinson (quoted above) goes on: Mr. Ardrey doesn't solve the problem. But the contribution he has made in the last act is a clear and perceptive statement of this nameless, formless situation and an estimation of what it is doing to America. ... Mr. Ardrey ... is a man of principle and taste. In
Sing Me No Lullaby he has performed the function of a writer. He has found the words to describe something that is vague and elusive but ominous. And he has got far enough away from political recriminations to state it in terms of character and the life of the spirit. ==Production==