Audience viewership During its debut week,
Single All the Way ranked at number 6 on Netflix's top 10 weekly rankings for English-language films, based on its methodology of measuring a film or TV show by the number of hours it was viewed, with 13.82 million hours watched. It also ranked in the weekly top 10 on Netflix in 42 countries. In the second week of release, it had a viewership of 11.14 million hours and ranked at number 5 on Netflix's chart, while remaining in the top 10 Netflix rankings in 36 countries.
Critical response On the
review aggregator website
Rotten Tomatoes, 70% of 27 reviews are positive, with an average rating of 6.4/10.
Metacritic, which uses a
weighted average, assigned the film a score of 49 out of 100 based on 6 critics, indicating "mixed or average reviews". The script was criticized for its usage of common
tropes in Christmas romantic comedy films. Though Benjamin Lee of
The Guardian commented that the film's "overwhelming conventionality ... is kind of the point" as it places gay characters in a familiar setting, he felt that it was too formulaic. Urie and Chambers were praised for their individual performances, but critics disagreed about their interactions on-screen. Ferdosi Abdi, writing for
Screen Rant, commented that "the chemistry between the pair is palpable" and described Peter and Nick as "one of the strongest depictions of a couple" within the Christmas romantic comedy genre. On the other hand, Teo Bugbee of
The New York Times felt that the two actors were not close enough in many scenes and that it was even "difficult to believe the pair as best friends". The film's depiction of gay characters in an everyday setting, without sexuality-based conflict, received praise. Critics applauded Peter's accepting family, though some felt that their interest in Peter and Nick's relationship was excessive. Writing for the
San Francisco Chronicle, Carla Meyer complimented the film's incorporation of various aspects of
gay culture, contrasting it with the
Hallmark Channel's
The Christmas House (2020), which she criticized for "narratives that de-emphasize sexuality and promote their 'just like us' qualities". Coolidge was also praised for her performance, which Jude Dry of
IndieWire described as "a far cry from her typical middle-aged ditz breathiness", though others felt that her performance was limited by the script.
Accolades ==See also==