Reviewing the album on import in 1979,
NME called Buzzcocks "a vital part of the inspiration for the new pop age... This is the best album Buzzcocks never made. Hear it and weep." A second review by the
NME two years later upon the album's official UK release was no less enthusiastic, declaring that "this is the best Buzzcocks long-player to be realised, enshrining eight singles and their B-sides in a compilation which at a stroke helps to forgive the inconsistency of their other albums and clarifies the enormous debt which post-Buzzcocks pop owes to this frail practitioner [referring to Buzzcocks principal songwriter and singer
Pete Shelley]... Employing the most traditional of beat group formations and turning their attention to the most elemental considerations, Shelley and the Buzzcocks created pop of such intense truthfulness it literally hurts."
Melody Maker claimed that "to describe it as 'wonderful' would be doing the lads a gross injustice... Somehow, they devised a simple, crude but hugely effective medium for songs which were fast, funny and memorable." Reviewing the 2001 reissue,
Q said, "When
Kurt Cobain picked these aging English punk rockers as the support act on
Nirvana's final tour, the Buzzcocks received long-overdue recognition as one of the punk era's greatest singles groups... this singles collection, newly supplemented with eight bonus tracks, has lost none of its vitality." Looking back in 2019,
Pitchforks Jason Heller called the compilation "a paragon of songwriting about the pain and joy of love" and wrote that it "stands as one of the most endearing, intimate, and impeccably crafted batch of
earworms in either the love-song or punk-rock realm". Heller praised the album's willingness to address emotions through punk music, saying, "Unrequited longing, severed ties, knock-kneed bashfulness, rash declarations of euphoric infatuation: Shelley delivers it all with jaunty melodies and deceptively complex chord progressions on par with
the Beatles and
the Kinks". It has been subsequently included on updates of the list published in 2012 (at number 360), 2020 (at number 250), and 2023 (at number 250). In 2004,
Pitchfork listed
Singles Going Steady as the 16th best album of the 1970s. ==Track listing==