Dylan wrote "Slow Train" as a protest song through a Christian lens. In the second verse, the girl warns Dylan that he needs to straighten out lest he die and become an accident statistic. Other critics found the verse to be racist and jingoistic, although author Seth Rogovoy, writing 30 years later, claims that although "perhaps overly patriotic at the time", the verse has proved prophetic, as reliance on foreign energy had laid the foundation for the "long-term destruction of America's economic engine", with destructive environmental consequences to boot. Other verses contain abundant criticism about America, with lines about how "in the home of the brave,
Jefferson's turning over in his grave, fools glorifying themselves, trying to manipulate Satan." Although Williams considers some of the lyrics "dumb", though not the chorus which he describes as "perfect", he believes the music and vocal performance ennoble them and give them meaning, making the song "essential" and "inexhaustible". According to Williams, the texture of the voice guitar, bass, drums and keyboards "communicate to us the truth about Bob Dylan at this moment of his life, and also the truth...about ourselves as we listen". Williams has particular praise for
Barry Beckett's keyboard playing after the fifth verse, which he describes as a "brief incredible keyboard orgasm". Allmusic's Esch also praises the intensity of Dylan's vocal performance, as well as
Mark Knopfler's lead guitar playing. Ultimately, Williams finds a joy in the music that is at odds with the disgust Dylan claims to feel in the lyrics: he ascribes this joy to Dylan being able to liberate and unburden himself in the lyrics. ==Reception==