Solmaz Sharif

Sharif was born in Istanbul, Turkey as her parents were in the process of emigrating from Iran to the United States; her parents had studied in the US during the 1970s but had returned to Iran during the Iranian Revolution. While living in Los Angeles, Sharif was exposed to the largest Iranian population outside of Iran itself, but was ostracized by her Iranian peers upon her arrival because of her family's struggle assimilating. ==Career and recognition==

In 2011, Sharif was awarded the "Discovery"/Boston Review Poetry Prize. Sharif received a fellowship from the National Endowment for the Arts in 2013. She has also received fellowships from the Fine Arts Work Center, Stanford University, and the Poetry Foundation. Sharif won the Theodore H. Holmes '51 and Bernice Holmes National Poetry Prize. Sharif has given numerous readings around the US, such as the prestigious Bread Loaf Writers' Conference. Sharif was one of the judges for 2023 National Book Award for Poetry. Look, Sharif’s debut collection of poetry, was a finalist for the 2016 National Book Award for Poetry, a finalist for the 2017 PEN Open Book Award, one of The New York Times Book Review's 100 Notable Books of 2016, a Publishers Weekly Best Books of 2016, a Washington Post Best Poetry Collection of 2016, one of The New Yorker‘s Books We Loved in 2016, and one of the San Francisco Chronicle‘s 100 Recommended Books of 2016. As of 2023, Sharif teaches at UC Berkeley. Previously she was an Assistant Professor of English at Arizona State University. Before that Sharif was a Jones Lecturer at Stanford University where she had previously been a Stegner Fellow. == Influences and themes==

Some early influences include poems by Walt Whitman, which her mother would read to her as bedtime stories. While studying at UC Berkeley, she was part of the People for Poetry program and studied June Jordan's works. More current influences include Audre Lorde's essay, "Uses of Erotics: Erotics as Power," Hannah Weiner's Code Poems, Muriel Rukeyser's The Book of the Dead, Martha Collins’s Blue Front, and M. Nourbese Philip's Zong!'.' She also cited June Jordan as an influence. Look draws on the U.S. Department of Defense Dictionary of Military and Associated Terms'', and challenges readers to confront the war's effects on language. ==Reception==

Look was reviewed favorably by The Los Angeles Review as an account of war's effects on culture and language. Customs: Poems, her second collection, considers the contingent status of immigrant women in the US; the book has received positive criticism by Kamran Javadizadeh in The New York Review of Books. == Bibliography ==

• From 2012 to 2014 she was awarded the Stegner Fellowship from Stanford University. • She won the 2014 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship. • She won the 2014 Rona Jaffe Foundation Writers' Award. • She is the former managing director at the Asian American Writers' Workshop. • She won the 2017 PEN Center Literary Award for Poetry. • She won the 2017 American Book Award for Look. == References ==