Song background "Piano Man" is a fictionalized retelling of Joel's own experience as a piano-lounge singer for six months in 1972–73 at the now defunct Executive Room bar in the
Wilshire district of Los Angeles, which was either on Wilshire and Gramercy, or in the lobby of a large office building on Wilshire and Western. In a talk on
Inside the Actors Studio, Joel said that he had to get away from New York due to a conflict with his then recording company and hence lived in Los Angeles for three years with his first wife. Since he needed work to pay the bills, but could not use his common name, he worked at the Executive Room bar as a piano player using the name "Bill Martin" (Joel's full name is William Martin Joel). Joel has stated that all of the characters depicted in the song were based on real people. Joel had moved from New York to Los Angeles to record his first album,
Cold Spring Harbor, which was marred by a mastering error by the album's producers at Family Productions, the label that first signed Joel. After this experience, Joel wanted to leave his contract with Family Productions for
Columbia Records, but the contract made this very difficult, so Joel stated that he was "hiding out" at the bar while lawyers at Columbia tried to get him out of the deal.
Content The verses of the song are sung from the point of view of a bar piano player who focuses mainly on the "regular crowd" that "shuffles" into the bar at nine o'clock on a Saturday: an old man, John the bartender, the waitress, businessmen, and bar regulars like "real estate novelist" Paul and naval serviceman Davy. Most of these characters have broken or unfulfilled dreams, and the pianist's is shown to help them "forget about life for a while". The pianist makes money when the patrons "sit at the bar, and put bread in my jar". The chorus, in bar-room sing-along style, comes from the bar patrons themselves, who say, "Sing us a song / You're the piano man / Sing us a song tonight / Well, we're all in the mood for a melody / And you've got us feeling all right." As for the lyrics, Joel has observed that with their five-line grouping, they were more in the form of a
limerick than a typical poem. ==Reception==