Critical response Stephen Holden of
The New York Times described
Spa Night as "a contemplation of the loneliness, tension and anxiety of outsiders pursuing a piece of the American dream" and "a looming family tragedy of immigrants desperately trying to maintain a foothold in an oppressive, upwardly mobile and conformist subculture." Sheri Linden of the
Los Angeles Times called the film "erotically charged, quietly devastating" and praised that Seo's "sensitive lead performance affectingly expresses the tension between tradition and personal identity." Nigel M. Smith of
The Guardian gave the film 3 out of 5 stars and remarked, "Ahn's muted approach to his material, coupled with the passivity of the film's lead character, leaves
Spa Night feeling too cold to fully engage." Smith also commented, "Despite its setting and Korean American cast,
Spa Night unfurls in a largely expected manner." Boyd van Hoeij of
The Hollywood Reporter stated, "Ahn subtly teases out his protagonist's inner struggle, often by letting David interact with the small but fine-grained gallery of supporting characters." Peter Debruge of
Variety opined, "Cruising is a tricky dynamic to capture onscreen, and
Spa Night only partially succeeds, concerned more with David's bystander curiosity than the sophisticated nonverbal seduction going on around him. Then again, Ahn doesn't aim to sensationalize." Kate Erbland of
IndieWire gave the film a grade of "B-" and noted, "The beautifully lensed drama is, like its protagonist, compelled and often obsessed by the human shape and form, and Ahn's film artfully uses the physical to tell a mostly standard issue coming-of-age story with style." Sheila O'Malley of
RogerEbert.com gave
Spa Night 3 out of 4 stars and wrote, "The film is admirable in presenting the issues a gay kid faces in an extremely specific environment, and for resisting a more conventional storyline."
Accolades ==References==