The artwork is a series of six gloss-white nested arches that are the same shape but varying exponentially in size. The thickness of each arch tapers as it rises from the ground, reaching its finest diameter at the top. The smallest arch is a comfortable frame for a human body, or two. The largest arch reaches , or 9 stories high, encompassing the smaller five, and reaching beyond the height of some buildings around it. The artwork seems to complete itself by the presence of a human being. When someone stands inside the arch, the shape and the repetitions of the form suggest contours of a moving field surrounding the individual's body, and create the impression of an infinite vibration inwards and/or outwards. There is a pattern of
self-similarity in the way the form is exponentially repeated, which the artists says was; This could be compared to what
William Blake describes in
Auguries of Innocence:
Spanda was conceived and situated by the artist to function harmoniously with the site, Elizabeth Quay, which was designed by
ARM Architecture and was being constructed at the same time as the sculpture. Gaps between each arch allow people to walk through the sculpture. The sculpture is installed such that the curvature of the form contrasts with the gridded square buildings behind it, without obscuring the city view. == Title ==