According to an article in the 1973 issue of
FOOM, the film features appearances by
Kraven the Hunter and
Gwen Stacy, and the story is based on issue fifteen of the comic book,
The Amazing Spider-Man. In October 1972, director Bruce Cardozo wrote a letter to Stan Lee explaining the project. He received a very enthusiastic letter of approval providing the film was limited to a non-commercial exhibition (because of commercial licensing commitments Marvel Comics had at the time). Next, he presented the idea to his experimental film class, proposing a half-hour, 16mm, color, sound, semi-professional Spider-Man movie. When he outlined the special effects the class felt that it was impossible, but his instructor, Peter Glushanok, was very interested and gave Cardozo the go-ahead. The first term was spent almost entirely in pre-production. Bruce was a perfectionist and spoke with hundreds of people before deciding on the cast alone. He wanted the audience to say to themselves, "he or she looks and acts exactly like the characters". Daphne Stevens and Marilyn Hecht made the costumes, Richard Eberhardt designed the graphics, such as the Spider-signal, (as well as playing Spider-Man in costume) and Art Schweitzer created the unusual lighting effects featured throughout the film. Bruce worked on the scenario, production direction and special effects. They built an entire section of the building for Spider-Man to climb. They used travelling matte shots to make Spider-Man swing through Times Square at night with all the neon signs flashing in the background to produce breathtaking and dazzling visuals. Rather than using a phoney-looking backdrop when Spider-Man climbs up and down buildings, they matted in colorful sunsets and backgrounds and utilized travelling mattes in a scene where Kraven sends lions after Spider-Man in the final conflict. The second term was hectic with more shooting and editing by Julie Tanser. When the film was about 3/4 finished, they gave Stan Lee, Roy Thomas and other members of the bullpen, a preview of some of the key scenes of the film. They were very impressed and enthusiastic about the results and encouraged them to finish the project. On March 30, 2008, author Clive Young, renowned for his book
Homemade Hollywood: Fans Behind the Camera, sat down with the filmmaker Bruce to discuss the fan-made production
Spider-Man Versus Kraven the Hunter. In Cardozo's own words "I gave a glimpse of the future in 1974 showing what could be done with Spider-Man. People said the special effects were dazzling, but that wasn't really it - we had the audience rooting for him like how you root for a team." ==Known screenings==