The main topics of the exhibitions within the museum are: • The History of Espionage from
Ancient times until the Present Age •
World War I •
World War II •
Cryptology,
Morse,
Radio •
Cold War (Secret services in East and West Germany) • Spy Gear • Spy Training •
Listening Devices •
Spy Cameras • Animals Used as Spies e.g. pigeons • Conspiracy Theories and Espionage (
RAF-
Stasi Connection / The Case
Uwe Barschel) •
Glienicke Bridge (Spy exchanges) • Secret Services and Poison •
007 – Espionage in Movies • Double Agents • Secret Service Operations • Espionage in Present and Future The museum was designed to educate its visitors through its hands-on, interactive exhibits in the 3.000 m2 (32.000 sq ft) exhibition space. The exhibitions within the museum were designed by Bänfer Kartenbeck. Garamantis and Arts Electronica companies helped create and conceive the leading edge and high-tech multimedia exhibits and interactive models in the museum. The exhibits are positioned in chronological order, creating a physical timeline that visitors can walk through, beginning with secret scriptures from antiquity and ending with the recent
NSA debate. The entrance to the museum has security cameras peering down on the visitors, setting the scene for the entire facility as substantive focus of the exhibition is on data acquisition in the Internet Age. which are used in the Berlin Spy Museum. The business aims to create leading edge technology in order to modernise museums in the digital age. Creating digital and interactive technology in museums also enhances their prestige and allows them to appeal to a wider audience. Garamantis invented all the interactive technologies and a software system for the Berlin Spy Museum, in collaboration with designs from arts electronica. The high-tech designs are displayed on 200 screens throughout the museum. The museum contains a large display-wall called the "Spy Watch" that plays more than 150 videos simultaneously As curator of the museum, Franz-Michael Günther decision to collaborate with Garamantis to create the museum allowed his complex vision to be created. Günther said "Garamantis's ideas and networks, like the interactive display cases, have opened up new and innovative ways of presentation for our exhibition concept" The notion of spying involves "entering an opponent's zone under false pretences to get information". In 1945, the city of Berlin was split between the
NATO powers and the
USSR, making it a frontier for the Cold War and eventually becoming known as the international capital of espionage. Owing to the continuous growth of arsenal between the two superpowers during the Cold War, there was an aim to move towards a more peaceful and secure world. The Cold War was not a traditional war in the sense of guns and weapons. It used spies and espionage as a method of "indirect war". By the 1950s the Stasi had developed a huge network of 274,000 employed spies and agents.
Berlin in the Cold War Berlin was considered "the most valuable base in the world for espionage against the Soviet Bloc until the construction of the Berlin Wall in 1961". Half of the British Secret Intelligence Service (M16) total strength was concentrated in Berlin at the end of the 1950s. (Van Tonder 2017). In response to this, the US flew cargo plans with resources over the Berlin Wall to sustain the city. == Artifacts ==