Critical response The film has received mostly negative reviews from critics. On the review aggregator site
Rotten Tomatoes, the film has an approval rating of 33% based on 121 reviewer and a
weighted average of 5.2/10. The website's consensus states "
Miracle at St. Anna is a well-intentioned but overlong, disjointed affair that hits few of the right notes."
Metacritic, another
review aggregator, assigned the film a
normalized score of 37% based on 31 reviews from mainstream critics, indicating "generally unfavorable reviews".
Todd McCarthy of
Variety called the film "a clunky, poorly constructed drama designed to spotlight the little-remarked role of black American soldiers in World War II." James Rocchi, writing for
Cinematical, gave the film a mixed review: "When
Miracle at St. Anna falters, it's in the moments that seem like they could have been crafted by any other film maker; when
Miracle at St. Anna succeeds, it's in the moments that could only have been crafted by Lee." Ann Hornaday of
The Washington Post wrote that the film was "overwrought, overproduced, overbusy and overlong" and that "
Miracle at St. Anna finally suffers from the worst filmmaking sin of all: the failure of trust, in the story and the audience." Claudia Puig of
USA Today wrote that the film "aspires to be epic, but mostly it's just unfocused, sprawling and badly in need of editing" and that "[i]t tries hard to be inspiring, but it has jarring tonal shifts, stereotyped characters and a lack of narrative perspective."
Peter Travers of
Rolling Stone described the film as "too long, lazily constructed, and crammed with too many characters and subplots for any director to develop fully outside of an
HBO miniseries." Despite a mostly negative reception,
Miracle at St. Anna received some praise. Eric D. Snider, writing for
Film.com praised the film, writing, "This is beyond the scope of anything Lee has done before, and he rises to the challenge remarkably well, with battle scenes nearly as visceral and jolting as those in
Saving Private Ryan and a multi-layered story involving the U.S. Army, the Nazis, and the Italian resistance movement." Snider criticized the film's
frame story, which he described as "unnecessary and definitely corny."
Roger Ebert, writing for the
Chicago Sun-Times, criticized the editing but praised the film overall, describing it as "epic" with "one of the best battle scenes I can remember, on par with
Saving Private Ryan...
Miracle at St. Anna contains richness, anger, history, sentiment, fantasy, reality, violence and life. Maybe too much. Better than too little."
Controversy Protests were scheduled for the film's Italian premiere in Viareggio, Italy, by unspecified organizations. The protesters objected to the plotline of a Partisan collaborating with the Nazis. This runs directly counter to the accepted historical version of events, ruled by an Italian military court in 2005, that the Sant'Anna di Stazzema massacre was entirely premeditated by the Germans with no reason except the aim to frighten the population. Giovanni Cipollini, deputy head of the
National Association of the Italian Partisans, said the film was a "false reconstruction" and a "travesty of history". However, Lee, unrepentant, stated "I am not apologizing." He told Italians there was "a lot about your history you have yet to come to grips with. This film is our interpretation, and I stand behind it." McBride, the novel's author, stated: "As a black American, I understand what it's like for someone to tell your history... unfortunately, the history of World War Two here in Italy is ours as well, and this was the best I could do... it is, after all, a work of fiction.” In light of the film's controversy, Lee was awarded
honorary citizenship by the mayor of
Stazzema, Michele Silicani, who defended the film, stating, "It's true that the film depicts a partisan who betrayed civilians. But above it is the tale of those partisans who fought to the death to defend civilians." On June 21, 2011, a Paris court ruled in Lee and On My Own's favor, believing that TF1 failed to honor the contract, which proved "disastrous" for the film. TF1 was fined €32 million (
US$46 million). ==See also==