The Church of St Mary Magdalene, Newark, is a large
Gothic church, with aisled and clerestoried nave and chancel, transepts, and a single tower topped by a spire, at the western end. On the south side is a two-storey porch with a library over it. There is a vestry to the side of the south chancel aisle. The exterior has crenellated parapets, except on the south aisle, where the west end terminates in a large gable and is set with a tall window, making the west front asymmetrical. There is a visible hole in the spire which is claimed to have been made by a
cannonball during the
Civil War. The tower holds a peal of ten bells by
John Taylor & Co of Loughborough, dating from 1842. The tenor is in C at 533.5 Hz and weighs 31cwt, 1qr, 11 lb ().
Clock In 1627 the churchwardens’ accounts record a payment of 6 shillings for supplying a new “checke wheele for the clocke”. The church
glebe terrier records in 1770 that a clock was in a room above the ringing chamber. A new clock by the descendants of
John Whitehurst of Derby was installed in 1799. The clock contained three weights which descended from the clock chamber about to the ground floor. For many years the clock in the church tower was the only chronicler of hours in the town, except for one at Nicholson's foundry. By the end of the 19th century it was erratic, and a new clock was gifted by the Mayor, Alderman B. Tidd Pratt, and set going on 14 July 1898. It has three diameter and one diameter dials and a mechanism by
Joyce of Whitchurch, dated 1898. It sounds
Westminster Quarters. It was converted to electrical power in 1971 by
Smith of Derby.
Interior The central piers remain from the previous church, dating from the 11th or 12th century. The upper parts of the tower and spire were completed about 1350; the
nave dates from between 1384 and 1393, and the
chancel from 1489. The sanctuary is bounded on the south and north by two chantry chapels, the former of which has on one of its panels a remarkable painting from the
Dance of Death. There are a few old monuments, and an exceedingly fine
brass of the 14th century. The library above south porch was presented by Bishop White in 1698. On the north wall hangs the oil painting
The Raising of Lazarus by
William Hilton RA. It was previously used as an altarpiece for the high altar. The chapel of St George was decorated by W.D. Caroe around 1920. The chapel of the Holy Spirit was decorated by
Sir Ninian Comper in 1930. The
reredos, given in 1937 in memory of William Bradley and his wife Elizabeth, was also designed by Comper. The church was designated a Grade I
listed building, being of outstanding architectural or historic interest, on 29 September 1950. It is one of the largest parish churches in England and is regarded as one of the finest.
Restoration The roofs of the whole of the south aisle, nave and chancel were restored between 1850 and 1852. The whole of the west window was revealed when the floor of the ringing chamber, formerly on a level with the transom of the window, was raised. The church was
heavily restored between 1853 and 1855 by
Sir George Gilbert Scott. The spire was damaged in a lightning strike in May 1894. The
weather cock was re-instated on 22 August 1894 witnessed by a large crowd of spectators. The nave roof, south porch and spire were restored in 1913. ==The Magnus Bequest==