Legendary origins The 16th-century London historian
John Stow recorded an account of the origins of the Southwark Priory of St Mary that he had heard from Bartholomew Linsted, who had been the last prior when the priory was dissolved. Linsted claimed it had been founded as a
nunnery "long before the Norman Conquest of England|[Norman] Conquest" by a maiden named Mary, on the profits of a ferry across the Thames she had inherited from her parents. Later it was converted into a
college of priests by "
Swithen, a noble lady". Finally in 1106 it was refounded as an
Augustinian priory. The tale of the ferryman's daughter Mary and her benefactions became very popular, but later historians tried to rationalise Linsted's story. Thus the author of an 1862 guidebook to the then St Saviour's Church suggested it was probable that the "noble lady" Swithen had in fact been a man –
Swithun,
Bishop of Winchester, from 852 or 853 until his death in 863. In the 20th century this identification was accepted by Thomas P. Stevens,
succentor and
sacrist, and later
honorary canon, of Southwark Cathedral, who wrote a number of guidebooks to the cathedral, and a history that was revised and reprinted many times. He went on to date the foundation of the supposed original nunnery to "about the year 606", although he provided no evidence to support the date. Although recent guidebooks are more circumspect, referring only to "a tradition", an information panel at the east end of the cathedral still claims that there had been "A convent founded in 606 AD" and "A monastery established by St Swithun in the 9th century". It is unlikely that this minster pre-dated the conversion of
Wessex in the mid-7th century, or the foundation of the "burh" c. 886. There is no proof for suggestions that a
convent was founded on the site in 606 nor for the claim that a
monastery was founded there by
St Swithun in the 9th century.
Saxon and Norman of Southwark Cathedral The earliest reference to the site was in the
Domesday Book of 1086, when the "
minster" of Southwark seems to have been under the control of
William the Conqueror's half-brother, Bishop
Odo of Bayeux. The
Old English minster was a
collegiate church serving an area on the south side of the
Thames. In 1106, during the reign of
Henry I it became an
Augustinian priory, under the patronage of the Bishops of Winchester, who established their London seat
Winchester Palace immediately to the west in 1149. A remaining wall of the palace refectory, with a rose window, survives in
Clink Street. The Priory was dedicated to the
Virgin Mother as 'St Mary' but had the additional soubriquet of "Overie" ("over the river") to distinguish it from the many churches in the
City of London (on the opposite bank of the Thames) with the same name. Some fragments of 12th-century fabric survive. The church in its present form, however, dates to between 1220 and 1420, making it the first
Gothic church in London.
Gothic reconstruction to the poet
John Gower in Southwark Cathedral. Unusually, the original polychrome painting of it has been kept renewed. The church was severely damaged in the
Great Fire of 1212. Rebuilding took place during the thirteenth century, although the exact dates are unknown. In its reconstructed state – the basic layout of which survives today – the church was cruciform in plan, with an aisled nave of six
bays, a crossing tower,
transepts, and a five-bay choir. Beyond the choir stood a lower
retrochoir or
Lady chapel, the form of which can also be interpreted as group of four chapels with separate gabled roofs, two opening from the choir, and two from each aisle. There was a chapel dedicated to
Mary Magdalen, for the use of the parishioners, in the angle between the south transept and the choir, and another chapel was later added to the east of the
retrochoir. Much later, this become known as the "Bishop's chapel" as it was the burial place of 17th century bishop
Lancelot Andrewes. In the 1390s, the church was again damaged by fire, and in around 1420 the
Bishop of Winchester,
Henry Beaufort, assisted with the rebuilding of the south transept and the completion of the tower. During the 15th century the parochial chapel was rebuilt, and the nave and north transept were given wooden vaults following the collapse of the stone ceiling in 1469. Some of the carved bosses from the vault (destroyed in the 19th century) are preserved in the cathedral. The 14th-century poet
John Gower lived in the priory precinct and is entombed in the church, with a splendid memorial, with
polychrome panels. There is also a recumbent effigy of a knight in timber (rather than brass or stone) and it is suggested by the church that this dates from the 13th century. If so then this is one of the oldest such memorials and some credence can be given to the suggestion by its lack of
heraldic emblems.
16th and 17th centuries , showing
Old London Bridge with Southwark Priory or St Saviour (now the cathedral) in the foreground In around 1520 the
Bishop of Winchester,
Richard Foxe, carried out a programme of improvement, installing a stone altar screen, a new west doorway with a window above and a new window in the east gable of the choir. Along with all the other
religious houses in England, the priory was
dissolved by
Henry VIII, being surrendered to
the Crown in 1540. The receiver in charge of dissolving St Marie Overie was
William Saunders. In that year St Mary Overie received the new dedication of St Saviour and became the church of a new parish, which combined those of St Mary Magdalen (the attached parochial chapel) and the nearby church of St Margaret, which was deconsecrated. The parishioners leased the priory church and rectory from the Crown until 1614, when they purchased the church outright for £800. During the reign of
Queen Mary heresy trials were held in the retrochoir. In January 1555, six high-ranking clergymen, including the former
Bishop of Gloucester,
John Hooper, were condemned to death there. As the parish church for the
Bankside area, St Saviour's had close connections with the great
Elizabethan dramatists.
William Shakespeare's brother,
Edmund, was buried there in 1607. His grave is unmarked, but a commemorative stone was later placed in the paving of the choir. The cathedral instituted a festival to commemorate this cultural history in the 1920s which endured into the late 20th century. There is a large stained glass window dedicated to William Shakespeare, depicting scenes from his plays, at the base of which is an alabaster statue representing the playwright reclining, holding a quill. Two dramatists,
John Fletcher and
Philip Massinger were buried in the church. Along with
Edward Alleyn they were officers and benefactors of the parish charities and of
St Saviour's Grammar School.
John Harvard, a clergyman and school benefactor who helped found
Harvard University, for whom the university is named, was born in the parish and was baptised in the church on 29 November 1607. He is commemorated by the Harvard Chapel in the north transept, paid for by
Harvard University alumni resident in England. His father, Robert, a local butcher and inn-holder, was a business associate of Shakespeare's family and a parochial, school, and church officer with the playwright's colleagues. The connection with the bishops of Winchester continued after the Reformation.
Lancelot Andrewes, bishop of Winchester until his death in 1626, and a contributor to the
Authorized Version of the Bible, was buried in a small chapel at the east end that afterwards became known as the "Bishop's Chapel". After the destruction of the chapel in 1830, his tomb was moved to a new position, immediately behind the high altar. It was from the tower of St Saviour's that the Czech artist
Wenceslas Hollar drew his
Long View of London from Bankside in 1647, a panorama which has become a definitive image of the city in the 17th century.
19th century By the early 19th century the fabric of the church had fallen into disrepair. All the medieval furnishings were gone, and the interior was as Francis Bumpus later described it, "pewed and galleried to a fearful extent." Between 1818 and 1830, the tower and choir were restored by
George Gwilt Jun. In his efforts to return the church to its thirteenth-century appearance, Gwilt removed the early sixteenth-century windows at the east end of the choir and, lacking firm evidence as to the original design, substituted an elevation of his own invention, with three lancet windows, and a circular one in the gable above. The transepts were restored, less sympathetically, by Robert Wallace. The Bishop's Chapel and parochial chapel were removed, but plans for the demolition of the retrochoir were averted, and it was restored by Gwilt in 1832. At a vestry meeting held in May 1831 it was decided to remove the nave roof, which had become unsafe, leaving the interior open to the weather, and to hold all future services in the choir and transepts. In 1839, the roofless nave was demolished to within seven feet of the ground, and rebuilt to a design by Henry Rose. The new nave was at a higher level than the surviving mediaeval eastern part, and closed off from it by a glazed screen. It had a plaster vault carried on iron columns, and a wooden gallery around three sides. It was widely criticised, notably by
Pugin who wrote "It is bad enough to see such an erection spring up at all, but when a venerable building is demolished to make way for it, the case is quite intolerable." On the initiative of
Anthony Thorold, Bishop of Rochester, the nave was once again rebuilt between 1890 and 1897 by
Arthur Blomfield, in a manner intended to recreate its 13th-century predecessor as accurately as possible, and to preserve the few surviving mediaeval fragments. In 1895 an appeal was issued to complete the restoration, with some £8000 required to restore the choir and tower. The church's treasurer was
Sir Frederick Wigan. The main railway viaduct connecting
London Bridge station to
Blackfriars,
Cannon Street and
Charing Cross stations passes only eighteen metres from the southeast corner of the cathedral, blocking the view from the south side. This was a compromise when the railway was extended along this viaduct in 1852; the alternative was to demolish the building completely to allow a more direct passage for the line. The
churchyard was closed to burials in 1853 (an exception being made in 1856 for Gwilt). In 1910, on behalf of the cathedral chapter, the
Metropolitan Public Gardens Association's landscape gardener
Madeline Agar renovated the south-west corner of the churchyard. That garden was restored in 2001.
Since 1900 behind it. The collegiate parish church of St Saviour was designated as a cathedral in 1905 when the
Church of England Diocese of Southwark was created. The nearby early-18th-century church of St Thomas became the new cathedral's chapter-house. The cathedral stands in an area heavily damaged by
German bombing during the
Second World War. The total number of bombs dropped on Southwark between 7 October 1940 to 6 June 1941 alone was 1,651 High Explosive Bombs and 20 Parachute Mines. On 20 February 1941 it was reported (after being unrestricted by the ministry of information) that the cathedral had been damaged by a bomb. Shrapnel damage is still visible on the outside of the building to this day. There are memorials to
Isabella Gilmore and the victims of the
Marchioness disaster and monuments to
Nelson Mandela and
Desmond Tutu. In 2001 Mandela opened a new northern "cloister" on the site of the old monastic one, with a refectory, shop, conference centre, education centre and museum. In 2002, these Millennium buildings received an award for being one of the best new buildings of the year. On 16 November 1996 the cathedral became a focus of controversy when it hosted a twentieth-anniversary service for the
Lesbian and Gay Christian Movement.
Jeffrey John, the openly gay Dean of St Albans and former bishop-elect of Reading, had been Canon Theologian of Southwark. After the introduction of
civil partnerships and, later, of
civil marriage for same-sex couples in England, the cathedral announced that "same sex couples are welcome to approach the clergy with regard to preparation and prayers when entering a Civil Partnership and for continuing support and counsel within their relationship ... couples approaching the clergy should expect a warm welcome and affirmation". The cathedral now says, "Southwark Cathedral is an inclusive community where
LGBTi+ people are welcomed and affirmed. The clergy would be delighted to help you to prepare prayerfully for your Civil Partnership." ==Other information==