D-Rack digital stage box next to a SD9 mixer AR2412 digital stage box, with a
Cat 7 cable carrying digital audio to the mixing console
Digital mixing consoles inherently introduce conversion between analog and digital signals. Since digital signals are practically immune to noise, it is preferable to use them for long cable runs. As a result, many modern stage boxes contain an array of
DACs and
ADCs. This allows all the signals to be transmitted over a single twisted pair cable rather than a bulkier and more expensive analog multicore. Latency is cumulative through all devices in the signal flow, so more complex networks, especially
Ethernet-based ones, can experience latency significant enough to cause an audible
delay. This was originally a major drawback of digital stage boxes, but recent systems have lowered latency to insignificant levelstypically 2–3 ms. Open standards such as
AES10 (used by
DiGiCo,
Soundcraft,
Yamaha etc.) and
AES50 (used by
Midas, Behringer,
Klark Teknik) also exist. ==Usage==