During his lifetime, the vast majority of Gastaldon's works were published by two firms, Genasio Venturini in Florence (absorbed by Carisch & Jänichen in 1905) and
Ricordi in Milan. Although several biographical entries, including that in
Enciclopedia della musica published by Rizzoli-Ricordi, say that he composed more than 300 songs, Scaccetti suggests that while Gastaldon was prolific, the actual number may be considerably less than this. The work he is almost exclusively remembered for today is his song "Musica proibita".
"Musica proibita" "Musica proibita" (Forbidden Music) is a song within a song. A young woman tells of a handsome young man ("un bel garzone") who sings a love song beneath her balcony every night. She longs to sing it herself to re-live the thrill she felt, but her mother has forbidden her. Knowing that her mother has left the house, she sings it, and then recalling the last time she heard him, she sings it again even more intensely. The young man's song begins: Vorrei baciare i tuoi capelli neri, Le labbra tue e gli occhi tuoi severi... (I want to kiss your raven hair, Your lips and your solemn eyes...) A common misconception about the song's origin is that it is an aria from Gastaldon's opera,
Mala Pasqua!, and the only surviving piece from the work. In fact, it is neither. It was published as a salon song for solo
soprano and piano in 1881, nine years before
Mala Pasqua! premiered. The
Mala Pasqua! score (and the
libretto) were published by
Ricordi in 1890 and copies are held in several libraries in the United States and Europe. Dedicated to the Italian
baritone Felice Giachetti, "Musica proibita" was Gastaldon's second published work, and the first of six songs for which he also wrote the lyrics using the pseudonym "Flick-Flock". Shortly after its publication in Italy, "Musica proibita" was published in English as "Unspoken Words" (with a text by D'Arcy Jaxone) and in French as "La chanson défendue". It has since been arranged for every
voice type as well as transcribed for flute and violin, violin solo, piano solo, guitar,
mandolin,
accordion, military band, and solo voice and orchestra. It was recorded in several different versions on early
gramophone and
cylinder recordings starting in 1900, and although the words express the thoughts of a young girl, "Musica proibita" became a staple of the
tenor concert repertoire (sometimes with the text adjusted). Among the tenors who have recorded it over the years are
Enrico Caruso in 1917,
Beniamino Gigli in 1933,
Richard Tauber in 1936,
Aureliano Pertile,
Mario Del Monaco,
Mario Lanza in 1952 and 1959,
Giuseppe di Stefano in 1961,
Luciano Pavarotti in 1984, Placido Domingo,
José Carreras (who also sang it in several
Three Tenors concerts) in 1979 and 1993,
Andrea Bocelli in 2002, and Christian Ketter in 2014. "Musica proibita" was also the inspiration, title, and theme song of a 1943 Italian film directed by
Carlo Campogalliani and starring
Tito Gobbi, a tortuous story of a noblewoman who opposes the marriage of her niece to the son of a famous baritone who had once been the noblewoman's "forbidden love".
Other songs In 1882, Gastaldon wrote "Ti vorrei rapire" (I want to carry you away), a sequel to "Musica proibita" which is meant to be sung by the young man referred to in the original song. Like "Musica probita", the text was by "Flick-Flock". It had considerable success in its day and was recorded in 1910 by the Italian baritone
Taurino Parvis for
Columbia Records. A variation on the theme came in 1885 with Gastaldon's "Musica non probita!" (Music not forbidden!) composed to a text by the theatre critic and poet Luigi Bevacqua Lombardo. Two of Gastaldon's other early songs, "Amor non è peccato" (Love is not a sin) and "Fiori di sposa" (Bridal flowers) were set to texts by a poet identified only as "Faustina". The first of these was dedicated to Leonora Genina Mancini, daughter of the Italian statesman
Pasquale Stanislao Mancini and the poet
Laura Beatrice Mancini. Leonora's younger sister Flora ran a famous musical salon, and both sisters wrote poems that had been set by Gastaldon's contemporaries. Giovanni Domenico Bartocci-Fontana, who wrote the libretto for Gastaldon's opera
Mala Pasqua!, also wrote the text for his song "Perché tacete" (Why are you silent?). Other poets whose texts were set by Gastaldon included
Gustavo Adolfo Bécquer,
Olindo Guerrini (under the pseudonym Lorenzo Stecchetti), Emilio Praga, Armando Perotti,
Annie Vivanti, Fausto Salvatori, and
Domenico Milelli (under the pseudonym Conte di Lara). Of all his songs, Gastaldon's favourite was reportedly "Mamma", dedicated to the memory of his mother, with lyrics by the poet and playwright Giovanni Arrighi. It was recorded by
Renato Zanelli for the
Victor Talking Machine Company in 1921. In a departure from his usual genre of songs for solo voice and piano, Gastaldon also wrote two choral pieces, "Viva il Re" and "Inno della Dante Alighieri". The patriotic anthem "Viva il Re" (Long Live the King) with text by
Giosuè Carducci was published by Ricordi 1915. "Inno della Dante Alighieri" with text by Augusto Franchetti was written as an anthem for the Dante Alighieri Society. It was first performed on 28 September 1902 in the
Piazza del Campo in
Siena for the XIII Congress of the Società Dante Alighieri and published the following year by the Florentine firm of Bemporad & Figlio.
Stage works Although
Mala Pasqua was the first of Gastaldon's operas to be performed, he had previously composed
Fatma, an opera-ballet in four acts and a prologue with a libretto by
Marco Praga. According to
The Monthly Musical Record of 1887, it had been accepted for performance at
La Scala and in 1888, the French periodical
Le Ménestrel reported that it was nearly finished. However, it was never performed and does not appear to have been published. In 1891, after the premiere of
Mala Pasqua!, he began work on what was to have been a three-act comedy loosely based on the
Alexandre Dumas novel
Twenty Years After. Initially called
Rosa Minchon and then
Mazzarinata, it too was never performed and was probably never finished. Although not an opera, and lasting only seven minutes, Gastaldon's
Il sonetto di Dante, a setting of
Dante's sonnet "Tanto gentile e tanto onesta pare", was written to be performed on stage by a
tenor in the role of Dante, surrounded by scenery depicting 14th century Florence. According to the
Revue Musicale de Lyon, it had little success despite the talent of
Giuseppe Taccani, who sang the piece at its premiere. ;Chronological list of performed stage works •
Mala Pasqua! – opera in three acts; libretto by Giovanni Domenico Bartocci-Fontana based on
Verga's short story, "Cavalleria rusticana"; premiered 9 April 1890 at the
Teatro Costanzi in Rome •
Pater – opera in one act; libretto by Vittorio Bianchi based on
François Coppée's play of the same name; premiered 15 April 1894 at the
Teatro Manzoni in Milan •
Stellina – opera in one act; libretto by Vittorio Bianchi; published 1896, premiered 25 March 1905 in a double bill with
Pater at the Teatro Niccolini in Florence •
Il sonetto di Dante – described as a
visione scenica; text by
Dante Alighieri from
La Vita Nuova, "Tanto gentile e tanto onesta pare"; premiered 17 November 1906 at the Politeama Genovese in Genoa •
Il Reuccio di Caprilana –
operetta in three acts; libretto by
Félicien Champsaur; premiered 4 April 1914 at the Teatro Balbo in Turin ==Notes and references==