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Stefano della Bella

Stefano della Bella was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes. He left 1052 prints, and several thousand drawings, but only one known painting. He was born and later died in Florence, Italy.

Early life in Florence
Della Bella was born at Florence to a family of artists, and was apprenticed to a goldsmith, but became an engraver working briefly under Orazio Vanni and then Cesare Dandini. He studied etching under Remigio Cantagallina, who had also been the instructor of Jacques Callot. Della Bella's early prints are very similar to those of Callot. When he was seventeen years of age, he presented an etching depicting a banquet in the Palazzo Pitti to the young Giancarlo de' Medici following which della Bella would receive official commissions by the Medici family. By 1632 or 1633 he was the recipient of direct patronage from Lorenzo de' Medici (brother to Cosimo II and uncle to Giancarlo de' Medici). At this time Della Bella requested from his patron permission to go to Rome "to perfect himself as an artist." ==Work in Rome==
Work in Rome
Having arrived in Rome in 1633, Della Bella created a series of six prints forming a long, 2.5-meter panel, showing the Polish Ambassador’s Ceremonial Entry into Rome in 1633. He also created a number of prints of views of Rome. While living in Rome, he often returned to Florence working on commissions for his clients there. File:Entrance of the Polish Legation into Rome, etching by Stefano della Bella - Met Museum of Art 1971 (adjusted).jpg|Entry of the Polish Ambassador to Rome, 1633 Polish horseman Della Bella.jpg|Polish horseman etching ==Paris and the return to Florence==
Paris and the return to Florence
In 1639, della Bella went to Paris and lived there until 1650. He adapted his style to French tastes, and was influenced by Rembrandt and other Dutch print makers. Della Bella made trips to Holland and North Africa. The majority of della Bella's prints date from the years in Paris; he had arrived four years after the death of Callot, and was already known to important French publishers. In 1641 Cardinal Richelieu sent him to Arras to make drawings for prints of the siege and taking of that town by the royal army, In 1661 he appears to have suffered a stroke, after which he produced little work. Antonio Francesco Lucini was one of his pupils in Florence. == See also ==
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