1950s Apostolof's career in films began at
20th Century-Fox, where he was doing some number-crunching in the production department in 1953–1954.
Journey to Freedom (1957) Around 1955, Apostolof teamed up with exploitation veterans Robert C. Dertano and
William C. Thompson to create SCA Productions, a company that produced the semi-autobiographical
Cold War melodrama
Journey to Freedom (1957). The film starred
Tor Johnson, the Swedish wrestler best known for appearing in Edward D. Wood Jr.'s movies
Bride of the Monster (1954),
Plan 9 from Outer Space (1959) and
Night of the Ghouls (1959).
Journey to Freedom was shot in the legendary
Sunset Gower Studios and later picked up for distribution by
Republic Pictures, known for its quality B-movies and westerns, many of them starring
John Wayne. Although not very popular at the time,
Journey to Freedom became part of the so-called
Red Scare, a period of intense anti-Communism that had already produced propaganda films like
I Married a Communist (1949),
The Red Menace (1949) and
Big Jim McLain (1952).
Journey to Freedom tells about Apostolof's escape from Communist Bulgaria through Istanbul, Paris and Toronto to Los Angeles, California.
1960s In the mid-'60s Apostolof became involved in sexploitation cinema, adopting the less foreign-sounding "A.C. Stephen" as a
nom de plume. Apostolof cites
Russ Meyer's
The Immoral Mr. Teas (1959), the first
nudie-cutie, as a major influence in his sexploitation-oriented career. He said, "I saw what was happening in the market—I couldn't possibly compete with the major companies, but I saw a niche there for us, the independent guys. I saw those sexy type of pictures that were becoming popular. I went and saw them and I wanted to see how far you could go with nudity." Over the next two decades Apostolof made 16 films with a trademark blend of tasteful nudity and campy humour.
Orgy of the Dead (1965) Orgy of the Dead, Apostolof's first directorial credit as A.C. Stephen with a screenplay by
Ed Wood, is now considered a camp classic and has inspired a cult following. It features the legendary oracle
The Amazing Criswell (known from Wood's
Plan 9 from Outer Space) and burlesque queen Pat Barrington (later to star in Harry H. Novak's
The Agony of Love). Wood served as writer, production manager, casting agent, and even held up cue cards for Criswell, although he did not direct.
Orgy of the Dead was the beginning of a very successful partnership between Apostolof and Wood that would last until the latter's death in 1978. This cooperation resulted in several films that captured the zeitgeist of the late 1960s and the 1970s.
Suburbia Confidential (1966) Apostolof's next film,
Suburbia Confidential, uses psychiatry largely to set up sex scenes but also to give the film some semblance of "redeeming social value". According to the promotional materials, the film "starts where the Kinsey report left off". In
Suburbia Confidential psychiatrist Dr. Henri Legrand reviews the files of several sexually frustrated suburban housewives who are shown having sex with salesmen, bellboys and repairmen. The film includes scenes of bondage, lesbianism and a transvestite based on Apostolof's frequent collaborator Ed Wood.
Suburbia Confidential is the first in a series of three films made by Apostolof in the late 1960s dealing with the "confidential" sexual life of different groups of people, the other two being
Motel Confidential and
College Girl Confidential.
''The Bachelor's Dreams'' (1967) Office Love-in, White-Collar Style (1968) College Girl Confidential (1968) Apostolof was busy in 1968, with
College Girl Confidential and
Office Love-in, White-Collar Style.
Office Love -in, White-Collar Style features voluptuous sexploitation icon
Marsha Jordan and brunette Kathy Williams, among others, in a series of vignettes surrounding sex in and with people in an office. Williams and Jordan have a lesbian encounter and a gay transvestite is talked into experimenting with a woman who deep throats bananas.
Office Love-in, White-Collar Style also features Colleen Murphy (the star of
Alice in Acidland) and Forman Shane, who was in just about all of Apostolof's films.
Lady Godiva Rides (1969) Motel Confidential (1969) The Divorcee (1969) 1970s Drop Out Wife (1972) Ed Wood co-wrote
The Class Reunion (1972) Ed Wood co-wrote
The Snow Bunnies (1972) Ed Wood co-wrote
The Cocktail Hostesses (1973) Ed Wood co-wrote
Five Loose Women (1974) Ed Wood co-wrote, played two roles on screen, another off, voiced the trailer
The Beach Bunnies (1976) A soft core film made with
Ed Wood as a co-screenwriter.
Hot Ice (1978) Hot Ice, Apostolof's last picture, was an attempt at making a caper movie with an intricate plot and more action than usual in his films. It tells the story of a pair of male and female con artists who go into hiding at a ski lodge. Wood had a role, but it got axed due to his drinking. He was an assistant director.
Hot Ice marks the demise of classic sexploitation cinema with its content absorbed into mainstream movies. Hardcore porn films had gained a firm foothold in the theatrical market by this point and had pushed out much of the "soft-core" product. The advent of the home video market in the late '70s also accelerated the decline of the sexploitation genre. Apostolof's struggles to finance another film project—or even a sequel to his successful "Orgy of the Dead"—in the late '70s were doomed to failure. The sheer numbers of hardcore porn films available on video—which could be viewed at home, rather than the consumer having to go to a public theater—pretty much killed the "sexploitation" theatrical market. At the beginning of the decade Apostolof found his way into film distribution. He owned the rights to all of his films and spent the '80s and '90s reselling them on the home video / DVD market. ==Unrealized projects==