The first volume (2001-4) marked the composer's return to composition after a 12-year silence. Originally simply a series of standalone pieces, it was only subsequently gathered into an anthology. However, from the second volume onwards the works are conceived as integrated single spans in the manner of
Janacek's
On an Overgrown Path, or
Schumann's
Carnaval. The Italian CD label Sheva has recorded volumes 1–5, and vol. 8 with pianists Minjeong Shin, Giovanni Santini, Michael Bell, Fabio Menchetti, and Alessandro Viale. Volume 6 was released in May 2022 by
Konstantin Lifschitz on Willowhayne Records.. The CDs have been reviewed in
Gramophone,
BBC Music Magazine,
Musical Opinion, International Piano, Piano News, Hudební rozhledy and many other magazines. Numerous live performances have taken place in Europe, Armenia, The United States of America and Japan, including by Alessandro Viale, Fabio Menchetti,
Konstantin Lifschitz, Minjeong Shin, Michael Bell, Bethel Balge,
Giuseppe Modugno, Haruko Seki, Chantal Balestri, Simone Rugani, Andrea Emanuele, Ettore Strangio, Giordano De Nisi, Emanuele Stracchi, Paolo Rinaldi, Barbara Panzarella, Giulia Grassi, Francesca Fierro, Isabella Gori, Letitia Amodio, Francesca Lauri, Sarah Vella, Daphne Delicata, Alvaro Siculiana, Julian Chan, Tsovinar Suflyan and Mikhail Shilyaev. The composer's musical language is loosely tonal but is often stretched to include elements of
polytonality, modality and free
atonality. In
Musical Opinion, Richard Whitehouse wrote of
"a demonstrably Romantic rhetoric with an always audible and yet never facile approach to tonality". A striking feature throughout is the use of rhythm, described by one reviewer as "amazingly inventive" [of Volume 2]. This involves a widespread, subtle stretching of both individual beats and metre giving the music a feeling of flux and ongoing rubato. == Complete listing ==