Chiron Press and Poleskie's printmaking activity have been cited in histories of American Pop art and postwar printmaking, including work by Mary Lee Corlett and by Swann Galleries specialist Meagan Gandolfo. His post-Chiron archives were deposited in the Division of Rare and Manuscript Collections of the
Cornell University Library. His work has been acquired posthumously by
Wilkes University, the National Gallery of Denmark, and the
Kosciuszko Foundation, among other public institutions worldwide. In 2023, an untitled work by Poleskie was included in the exhibition
Land Use[d] at a
Marywood University art gallery, alongside works by
Andy Warhol,
Robert Smithson, and
Bernd and Hilla Becher. In 2024, and continuing into 2025, several of Poleskie's Chiron-era silkscreens and collaborations were shown at New York's Terrain Gallery in the exhibition
Surface to Begin With—Silkscreens of the 1960s. A review in
Whitehot Magazine stated that there was "an exhilaration to the choice of works as each seems to beckon one's attention over another". A solo exhibition, ''Tracing the Sky: Steve Poleskie's Aerial Theater on Paper'', opened at the Maslow Study Gallery for Contemporary Art at
Marywood University in October 2025. The exhibition, curated by Ryan Ward (curator of the Maslow Collection) and Evan D. Williams, presented prints, collages, and drawings related to the artist's sky performances and was accompanied by an illustrated catalog produced in collaboration with Marywood's Aviation and Graphic Design students. In 2025, the publisher OM Books announced a planned monograph on Poleskie's Aerial Theater work above and around New York City. ==Bibliography==