The band had occasionally sung quite long songs - "Long Lankin" on "Commoner's Crown", "The Victory" here, and "Montrose" (over 15 minutes) on their next (live) album. Arguably "The Victory" is the best of their long tracks because of the masterful variations in tempo, instrumentation and choice of voices. The biggest surprise was the inclusion of two
Brecht songs. Martin Carthy had sung "
Wife of the Soldier" on
Byker Hill, using Brecht's words, but the music of
Johnny Scott instead of the original music by
Kurt Weill. The same arrangement is used here.
PJ Harvey later recorded it, as did the
Oysterband and
Marianne Faithfull. "
Pirate Jenny" (The Black Freighter) had been recorded by
Judy Collins in the 1960s and it was later to be sung by
Barbara Dickson. Maddy gives these two Brecht songs an appropriate flavour of cynicism. According to Hugh Fielder in the pop paper
Sounds in 1977, there is an uncredited musician here - Mike Batt playing synthesizer. The album is unusual in that it is the only Steeleye studio album that does not use a
fiddle at all. Instead John Kirkpatrick plays
accordion, giving the whole album a very distinct sound from the rest of the band's output. No other Steeleye studio album features an accordion, although
Hark! The Village Wait features an
English concertina on several songs. The album cover is by the English commercial artist Adrian Chesterman, who was also responsible for creating album art for, amongst others,
Motörhead for their 1979
Bomber album and
Chris Rea for his 1989
The Road to Hell album. ==Reception==