Elgar had written a string quartet much earlier in his career, to which he assigned the
opus number 8, but destroyed it. He made several other attempts, which all came to nothing. For example, he put aside work on a quartet to work on his
First Symphony. This quartet originated from a request by Carl Fuchs, cellist of the
Brodsky Quartet and professor at the
Royal Manchester College of Music. In February 1900, Elgar and his wife attended a performance of his
Enigma Variations in Manchester, conducted by
Hans Richter. At supper after the concert Richter introduced Elgar to
Adolph Brodsky and his wife, and to Carl Fuchs. Fuchs then asked Elgar to compose a quartet for them. In 1917, Elgar was ill and depressed by
war-time London. He began work on the String Quartet on 25 March 1918, while recovering at home at Severn House after having his tonsils removed. He finished only the first subject of the first movement at that time. In May, Lady Elgar found "Brinkwells", a cottage surrounded by woods near
Fittleworth in Sussex, in which he could work in seclusion away from the cares of the world. Now he turned his focus to the
Violin Sonata in E minor, completing it on 15 September. He then immediately set to work on the
Piano Quintet in A minor. He interrupted work on that piece on 8 October to return to the Quartet; he completed the middle movement on 26 November, and the final movement on 24 December. He completed the Piano Quintet in January 1919. The Quartet was first performed privately at Elgar's London home Severn House in January 1919, with
George Bernard Shaw present, among others. Another private performance was given at the London home of his friend
Frank Schuster on 26 April 1919. Elgar was assisted in the violin writing, as he had been in the writing of the
Violin Concerto in B minor in 1909–10, by his great friend W. H. Reed, who also led the quartet in the first private play-throughs. ==Premiere==