Critical response Striptease holds a 13% rating on
Rotten Tomatoes based on 71 reviews, with an average score of 3.9/10. The critical consensus reads, "
Striptease can't decide whether it is a lurid thriller or a sexy satire - which becomes a moot point as it proves disastrously incapable of pulling either off." On
Metacritic, the film has a score of 37 out of 100 based on 27 critics, indicating "generally unfavorable reviews". In the
Carl Hiaasen book of the same name, upon which the movie was based, every character was premised upon being a source of amusement. In the movie, however, there was a major departure, as the main character, played by Moore, was meant to be portrayed differently.
Roger Ebert of the
Chicago Sun-Times complimented some of the characters, but ultimately concluded the film failed because "all of the characters are hilarious except for Demi Moore's." He felt the drama surrounding the main character "throws a wet blanket over the rest of the party." Ebert also found the nudity not too sexy.
Gene Siskel heavily panned the film on
Siskel and Ebert criticizing Bergman's screenplay as well as Moore's character and performance finding her "deadly boring".
Leonard Maltin was harsher, writing in his book that the film was too depressing and "Not funny enough, or dramatic enough, or sexy enough, or bad enough, to qualify as entertainment in
any category." Barbara Cramer concurred with Ebert that Moore's character was written too dramatically, compared to other characters. She said the film was predictable and would appeal mostly to "post-pubescent schoolboys or closet voyeurs." However, Cramer also cited Reynolds' "best role in years," and said Rhames was "worth the price of admission."
David Ansen of
Newsweek, sharing Ebert's view on Moore's character, also claimed
Striptease failed as a drama because it had no
mystery, revealing the identity of its villains early. Moreover, the "
damsel-in-distress angle generates zero tension." Daniel P. Franklin, in his book
Politics and Film: The Political Culture of Film in the United States went so far as to call
Striptease "the worst film ever made" and stated "The film pays homage to Moore's surgical breast enhancement". Audiences surveyed by
CinemaScore gave the film a grade of "B−" on scale of A+ to F.
Box office Striptease made $12,322,069 in its first weekend, behind
The Nutty Professor with
Eddie Murphy,
Eraser starring
Arnold Schwarzenegger and
Disney's
The Hunchback of Notre Dame, in which Moore voiced the main character
Esmeralda. Ultimately,
Striptease made $33,109,743 in the United States and domestically it was the 47th highest-grossing film of 1996. It made $113,309,743 internationally, having grossed £2,294,568 in the UK.
Home media Striptease was released on VHS on November 19, 1996, and on DVD on July 27, 1999. It found success in the
video rental market, ranking 24th in the video rentals of 1997 in the United States. Bergman later described the film as one of his most successful projects, especially referring to the video rental market. ==Accolades==