The magazine was monthly; 853 issues were published between April 1893 and May 1964.
The Studio promoted the work of "New Art" artists, designers and architects. It played a major part in introducing the work of
Charles Rennie Mackintosh and
Charles Voysey to a wide audience, and was especially influential in Europe. In keeping with Holme's original concept, the magazine was international in scope. A French edition was published in Paris, differing from the English one only in that the spine and parts of the cover were printed in French, and there was an insert consisting of a French translation of the article text and some French advertisements. The American edition was titled
The International Studio. It had its own editorial staff, and the content was different from that of the English edition, although many articles from that were reprinted. It was published in New York by John Lane & Company from May 1897 until 1921, and by International Studio, Inc., from 1922 until publication ceased in 1931. In 1894 and then from 1896 on, special numbers of the magazine were also published, normally three times a year. These carried various titles; 117 of them were issued between 1894 and 1940. From 1906 onwards
The Studio published an annual,
The Studio Year-Book of Decorative Art, which dealt with architecture, interior design and design of furniture, lighting, glassware, textiles, metalwork and ceramics. These annuals promoted
Modernism in the 1920s, and later the
Good Design movement. The last edition was published in May 1964, after which it was absorbed into
Studio International. File:Cover of The Studio vol. 53 no. 219, June 1911.jpeg|Cover of the Paris edition of
The Studio, volume 53 no. 219, June 1911 File:Léon Solon The Studio.jpg|Poster by
Léon-Victor Solon advertising
The Studio File:The_Studio_Year-Book_1906.jpg|Cover of the first
Year-Book, 1906 ==Book series==