Study of a Young Woman

The sitter is depicted as having a homely face—widely spaced and flat—with a small nose and thin lips on a relatively large head. The lack of idealised beauty has led to a general belief that this work was painted on commission, although it is possible that the model was Vermeer's daughter. The artist probably used a live model but, as with Girl with a Pearl Earring, did not create the work as a portrait, but as a tronie, a Dutch word meaning "visage" or "expression", a type of Dutch 17th-century picture appreciated for its "unusual costumes, intriguing physiognomies, suggestion of personality, and demonstration of artistic skill". The picture encourages the viewer to be curious about the young woman's thoughts, feelings, or character, something typical in many of Vermeer's paintings. Girl with a Pearl Earring and Portrait of a Young Woman are unusual for Vermeer in that they lack his usual rich background; instead, the girls are framed by a background of deep black. This isolating effect seems to heighten their vulnerability and seeming desire to place trust in the viewer. In 1994, Edward Snow wrote that Portrait of a Young Woman conveys "the desire for beauty and perfection into a loving acceptance of what is flawed". ==Provenance and exhibitions==

The painting may have been owned by Pieter Claesz van Ruijven of Delft before 1674, then by his widow, Maria de Knuijt of Delft, until 1681; then their daughter, Magdalena van Ruijven, until 1682; her widower, Jacob Dissius, until 1695. The painting is thought to have been part of the Dissius sale of May 16, 1696 (No. 38, 39 or 40). It probably then belonged to Dr. Luchtmans, who sold it in Rotterdam as part of a sale from April 20–22, 1816 (No. 92) for 3 Dutch guilders (about 30 grams of silver), even then a tiny amount. Prince Auguste Marie Raymond d'Arenberg, of Brussels, owned the painting by 1829, and it remained in his family in Brussels and Schloss Meppen from 1833 to the early 1950s. In 1959 (or 1955, according to another source), it was bought in a private sale from the Prince d'Arenberg by Mr. Charles Wrightsman and Mrs. Jayne Wrightsman of New York for a sum estimated at around £125,000. ==See also==