• Best, Susan 2021, "Repair and the Irreparable in Australian Aboriginal Art" Truth in Visual Media, ed. Marguerite La Caze and Ted Nannicelli,
Edinburgh University Press pp. 15–35 • Best, Susan 2021, “William Yang: Shame and Shamelessness,”
William Yang: Seeing and being seen, Queensland Art Gallery and Gallery of Modern Art, Brisbane, 44-55. • Best, Susan 2019 "From representation to affect: beyond postmodern identity politics in feminist art,”
A Companion to Feminist Art, ed. Maria Buszek and Hilary Robinson, Wiley Blackwell, pp. 405–417. • Best, Susan 2016 “Fiona Pardington’s Photography: Life, Love and Libido,”
Fiona Pardington: A Beautiful Hesitation, ed. Kriselle Baker and Aaron Lister, Wellington: Victoria UP), pp. 28–33. • Best, Susan, 2014, 'Anne Ferran: Histories of Women and Other Blind Spots', in
Anne Ferran: Shadow Land, Power Publications, Sydney. • Best, Susan 2014, 'Mineral Nature: Mikala Dwyer Rocks', in
Mikala Dwyer: The Garden of Half-Life,
University of Sydney, University Art Gallery, Sydney, pp. 12 – 19. • Best, Susan, 2013, 'Lygia Clark, the Paris Years: The Body as Medium and Material', in Posman S; Reverseau A; Ayers D; Bru S; Hjartarson B (ed.),
The Aesthetics of Matter. Modernism, the Avant-Garde, and Material Exchange, edn. 1st ed., Walter de Grutyer, Berlin, pp. 292 – 301. • Best, Susan, 2011, 'Rivane Neuenschwander and the Legacy of Tropicalia', in McNamara A (ed.),
Sweat: The Subtropical Imaginary, edn. 1, IMA, Brisbane and Urban Modernities Research Group, QUT, Brisbane, pp. 28 – 43 • Best, Susan, 2009, 'Relational Art, Identification and the Social Bond', in Gonçalves LR (ed.), The Institutionalization of Contemporary Art: Art criticism, museums, biennials and the art market., Museu de Arte Contemporânea, University of São Paulo, São Paulo, pp. 217 – 225. • Best, Susan, 2004, 'Joan Brassil', in
The Grove Library of World Art,
Oxford University Press, Oxford. • Best, Susan, 2004, 'Joan Grounds & Sherre DeLys Tickled Pink Laughter as Intitutional Critique', in Carlos I (ed.),
Biennale of Sydney 2004 On Reason and Emotion,
Biennale of Sydney, Sydney, pp. 98 – 99. • Best, Susan, 2001, 'You are on Aboriginal Land: Landscape after Land Rights', in Green C (ed.),
Postcolonialism + Art Where Now?, Artspace Visual Art Centre, Sydney. • Best, Susan, 2001, 'Elemental Constructions:Women Artists and Sculpture in the Expanded Field', in Getczy A; Genocchio B (ed.),
What Is Installation?, Power Publications, Sydney, pp. 185 – 205. ==References==