Painting Her paintings were done in a realist style until the time of her marriage to abstract painter and collector
George L.K. Morris in 1935. Morris introduced her to the work of European modernists like
Pablo Picasso,
Fernand Léger,
Georges Braque, and
Juan Gris, which inspired her to explore a more abstract Cubist manner.
Opera As Suzy Morris, the
dramatic soprano appeared with the
New York City Opera from 1947 to 1950, in
Ariadne auf Naxos (in the title role, opposite
Virginia MacWatters as Zerbinetta),
Cavalleria rusticana (as Santuzza, conducted by
Julius Rudel),
Tosca (as Floria Tosca),
Aïda (as Amneris, with
Camilla Williams,
Ramón Vinay, and
Lawrence Winters, directed by
Theodore Komisarjevsky), and ''Les contes d'Hoffmann'' (as Giulietta). Following that last appearance with the City Opera, she debuted in 1950 with the
New Orleans Opera Association, as Amelia in
Un ballo in maschera. That performance, which was broadcast, also featured
Jussi Björling, Marko Rothmüller, Martha Larrimore, the young
Norman Treigle (as Samuele), as well as
Audrey Schuh (as Oscar, her first major role). In 1998, VAI released this performance on compact disc. After a 1951 bout of
bronchitis, she retired from the stage, and once more became a full-time painter. == Legacy ==