In
The Words and Music of Van Morrison, author Erik Hage wrote: William Rulhmann of
Allmusic called the song "effervescent" and a "musical meditation", contrasting with the more somber mood of the rest of the album.
The New York Times considered it "nothing less than a slice of mystery: rhythms like the angular slant of rain, violins arching like branches, the strange flight of a flute and a voice hushed with sadness...transparent, as incorporeal as time or light".
Mark Seymour, writing for
The Guardian, called it "the most perfect song of all time". ==Other releases==