Symphony in D minor (Franck)

Franck, born in 1822 in what is now Belgium, became a naturalised French citizen in 1871. That year, he was a founding member of the Société nationale de musique, established in the wake of the Franco-Prussian War by Camille Saint-Saëns and Romain Bussine to promote French music. Franck's works after 1870 reflect his growing awareness of and interest in German music, especially that of Richard Wagner. Urged on principally by his student Henri Duparc, Franck "made an effort to study one of the Wagner scores every summer during the last period of his life.". Although he remained ambivalent about Wagner's compositional approach, his estimation of Wagner's merits remained, unlike others in the Société nationale (notably Saint-Saens) "in no way influenced by the nationalist dimension." He remained an admirer of German music and was less troubled than some of his colleagues about the so-called "L'invasion germanique" of music in France in the 1870s. Indeed, Franck dedicated the symphony "to my friend Henri Duparc," the student who had principally urged him to deepen his knowledge of Wagner's operas. Franck reached his creative peak in the 1870s, when he was in his late fifties. His Piano Quintet and the oratorio Les Béatitudes appeared in 1879, the Symphonic Variations in 1885 and the Violin Sonata in 1886. In 1887 he began sketches for a symphony – a musical form more associated with German than with French music. Like Berlioz, Franck revered Beethoven, and several commentators have noted the influence of Beethoven, particularly the late string quartets, on the symphony, both as to form – Franck adopted a cyclic structure – and content. Like Berlioz, Franck departed from the customary four-movement form of the classical symphony of Haydn, Mozart and Beethoven; unlike the Symphony fantastique by Berlioz, which is written in five movements, Franck's symphony is written in three. ==Premiere and reception==

Paris's symphony orchestras had a reputation for conservatism and avoiding modern works, but the Société des concerts of the Paris Conservatoire was an exception, giving performances of new works including Saint-Saëns's "Organ" Symphony (1888). The piece divided opinion. Le Figaro commented, "The new work of M. César Franck is a very important composition and developed with the resources of the powerful art of the learned musician; but it is so dense and tight that we cannot grasp all its aspects and feel its effect at a first hearing, despite the analytical and thematic note that had been distributed to the audience". The paper contrasted the "exuberant enthusiasm" of some listeners with the coolness of the reception from others. Franck's use of the brass was criticised as being too blatant, with cornets added to the usual orchestral trumpets. The noted music critic, Camille Bellaigue in an 1889 review published in Revue des Deux Mondes dismissed it as "arid and drab music, without ... grace or charm," and derided the principal four-bar theme upon which the symphony expands throughout as "hardly above the level of those given to Conservatoire students." At a later hearing of the work, Le Ménestrel balanced criticism and praise: it found the music gloomy and pompous, with little to say, but saying it "with the conviction of the Pope pronouncing on dogma". Outside of the nationalist environment of French music criticism of the late nineteenth century, Franck's symphony quickly became popular. Concert programs reveal that this symphony became one of the most frequently performed French symphonies and rivalled the popularity of Beethoven's works. From the 1920s to around the 1970s, the symphony was popular with audiences and was frequently performed by leading U.S. orchestras, but since then it has substantially declined in prominence and is no longer part of the orchestral canon. In 2022, musicians attributed this to changing musical tastes, an overfamiliarity with the music, or the spirituality of the processional slow movement becoming less relevant in a more secular age. ==Analysis==

Instrumentation The score calls for two flutes, two oboes, cor anglais, two clarinets, bass clarinet, two bassoons, four horns, two cornets, two trumpets, three trombones, tuba, timpani, harp and strings. Form In a departure from typical late-romantic symphonic structure, the Symphony in D minor is in three movements, each of which makes reference to the initial four-bar theme introduced at the beginning of the piece. ==Recordings==

The work has been frequently recorded. The BBC published a list of recordings in connection with its programme Record Review, on which a comparative review of recordings was broadcast in 2017: ==Notes, references and sources==

Notes References Sources Books • • • • • • ; • • Journals • == See also ==