Composition Before meeting Balakirev, Rimsky-Korsakov had written, among other works, "something like the beginning of a symphony in E minor." These pieces were the fruit of composition lessons with F.A. Kanille, with whom he had begun studying in the fall of 1859. In November 1861, Kanille introduced him to Balakirev. Balakirev approved of the works Rimsky-Korsakov had written thus far, encouraging him to continue work on the symphony. On Balakirev's advice, Rimsky-Korsakov continued writing the opening movement. Balakirev subjected this music to considerable criticism; Rimsky-Korsakov incorporated his suggested changes zealously. Upon his return to St. Petersburg in 1865, Balakirev suggested that Rimsky-Korsakov renew work on the symphony. He did, writing a trio for the Scherzo and reorchestrating the whole work. Balakirev conducted the successful premiere of the symphony in December, 1865. Rimsky-Korsakov appeared on stage in uniform to acknowledge the applause (regulations demanded that officers remain in uniform even when off-duty). Seeing him, the audience was surprised a naval officer had written such a work. A second performance quickly followed in March 1866 under the baton of Konstantin Lyadov, father of the composer
Anatoly Lyadov.
"First Russian Symphony" As leader of "
The Five", Balakirev encouraged the use of eastern themes and harmonies to set their "Russian" music apart from the German symphonism of
Anton Rubinstein and other Western-orientated composers. Because Rimsky-Korsakov used Russian folk and oriental melodies in his First Symphony,
Vladimir Stasov and the other nationalists dubbed it the "First Russian Symphony", even though Rubinstein had written his
Ocean Symphony more than 30 years before it.
Influences Despite Cui's comment, a fair amount of non-Russian influence made its way into the First Symphony. Among the models Rimsky-Korsakov acknowledged were
Robert Schumann's
Manfred Overture and
Third Symphony,
Mikhail Glinka's
Prince Kholmsky and
Jota Aragonesa and Balakirev's
King Lear Overture. The influence of Schumann's music proved especially strong. Inexperienced in orchestration, he turned to
Hector Berlioz's treatise on orchestration as well as to advice from Balakirev. "I felt that I was ignorant of many things," Rimsky-Korsakov later wrote, "but was convinced that Balakirev knew everything in the world, and he cleverly concealed from me and the others [among 'The Five'] the insufficiency of his information. But in orchestral coloring and combination of instruments he was a good practical hand, and his counsels were invaluable to me."
Revision In 1884, Rimsky-Korsakov thoroughly revised his First Symphony. He transposed the key of the symphony itself from E minor to
E minor, to enable orchestras to play the work more easily than had previously been able and allow the work to become a repertory piece for student and amateur orchestras. He also reversed the order of slow movement and scherzo and changed the tempo indications of the movements (Allegro became Allegro vivace, and so on). ==References==