The plans for what would become the Fifth Symphony were first laid out in 1914, around the time of the completion of the
Third Symphony. The interruption of Myaskovsky's service and eventual injury on the
Eastern Front of World War I meant that work on the symphony would not begin in earnest until late February 1918, soon after work was completed on the
Fourth Symphony. In contrast to the wartime turbulence of the three-movement Fourth Symphony, Myaskovsky intended the Fifth Symphony to be more serene in nature, while using the more traditional four-movement symphonic structure. Despite the differences between the two symphonies, Myaskovsky's experiences during the war would nevertheless provide him the themes for the Fifth. He later recalled: :Actually, the majority of the themes of the Fifth Symphony occurred to me during the war in the most varied circumstances, which were mostly peaceful enough, although in the zone of the front. The opening theme of the first movement came to me in a fir wood near the
fort of Przemyśl in 1915. The themes of the scherzo originated near
Dvinsk in 1916, while the themes of the finale came to me in urban surroundings in 1917, while I was at
Revel Myaskovsky finished writing the symphony in early April 1918, though the orchestration would not be complete until late 1919. It was premiered under the baton of Nikolai Malko in the Hall of Mirrors at the
Hermitage Gardens in Moscow. ==Instrumentation==