Tarnanthi

The South Australian Government and BHP initially negotiated funding, before approaching AGSA about hosting the festival. meaning "to rise, come forth, spring up or appear", or "to emerge", like the sun at first light. It signifies new beginnings. As artistic director since the inaugural event, Nici Cumpston, a Barkindji artist and curator based at AGSA, collaborated with a group of elders and community members who speak the language to help translate the word used as the name, but by 2017 it had expanded to include an Indigenous art fair at the Tandanya National Aboriginal Cultural Institute, as well as a large number of satellite exhibitions spread throughout Adelaide and beyond, featuring more than 1000 artists. Tarnanthi had attracted over 1.4 million visitors between its first edition in 2015 and its fifth in 2020. In October 2021, funding was assured for a further three years. ==Description==

Tarnanthi seeks to present Indigenous Australian history and culture as a legacy to be shared by all Australians, It is intended as a broad platform, at which artists can exhibit their work in a way that does not pigeonhole their work. It includes an annual Art Fair as well as artist talks, performances and events. ==Exhibitions==

2015 A tribute to Ngarra, from Derby in the Western Desert of Western Australia, was included in the inaugural exhibition, along with "the Namatjira Collection", watercolours painted in the tradition of Albert Namatjira by his descendants. The 2015 exhibition also included work by Warwick Thornton, film-maker from Alice Springs, as well as Dinni Kunoth Petyarre and Josie Kunoth Petyarre, residents of Utopia in Central Australia, with artworks exploring the world of "bush footy" through painted hand carvings of figures representing 16 AFL teams. featuring works from more than 1000 artists and attracting more than 300,000 visitors. 2017 In 2017, artists from the APY lands produced several enormous works for installation at AGSA, including two paintings on repurposed canvas mailbags, both stretched to three metres by five. 21 men collaborated on one work, 24 women on the other, with contributions spanning seven communities from the far northwest of SA: Pukatja, Amata, Mimili, Indulkana, Nyapari, Fregon and Kalka. A centrepiece of the 2017 event was a part of the ongoing Kulata Tjuta (“Many Spears”) project that would have than 600 spears suspended from the ceiling of AGSA in the shape of a mushroom cloud, representing the ongoing impact of the 1950s and 60s British nuclear testing on Anangu country. with a focus exhibition entitled John Mawurndjul: I am the old and the new. Opening night was on 17 October, with Yolŋu rap artist Baker Boy performing at the opening event outside the Gallery on North Terrace. An exhibition of colonial artworks alongside the tools and objects of Aboriginal people, accompanied by carefully researched text and commentary by Wiradjuri/Kamilaroi artist Jonathan Jones, writer and researcher Bruce Pascoe and historian Bill Gammage, is the subject of an exhibition entitled Bunha-bunhanga: Aboriginal agriculture in the south-east, mounted in the AGSA's Elder Wing, Gallery 1 and the Museum of Economic Botany. Jones created a series of outsize grindstones within the Museum building. 2020 The 2020 exhibition, held from 16 October 2020 until 31 January 2021, was subtitled Open Hands, and focused on Indigenous women artists. The works by 87 artists included Naomi Hobson's Adolescent Wonderland; work from the Tangentyere Artists in Mparntwe (Alice Springs; woven sculptures from Arnhem Land; and works from Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. and when it did, AGSA had to work within various restrictions and precautions to ensure that it was safe, with the Art Fair postponed to early December. 2021 In 2021, as the pandemic continued, the Art Fair went online, but the exhibition was mounted from mid-October to the end of January at the art gallery and partner venues, including the Migration Museum, the South Australian Museum, JamFactory (Adelaide and Seppeltsfield), Port Pirie Regional Art Gallery and Yarta Purtli Gallery at the Port Augusta Cultural Centre. The exhibition included works by 189 artists at the gallery, including large works by Gail Mabo and Julie Gough, with around 1400 other artists participating in total. 2023 In 2023 The Art Gallery of South Australia as part of the Tarnanthi Festival showed Vincent Namatjira: Australia in Colour and portrayed the artist's first survey exhibition. The Tarnanthi Art Fair was held as both an online and physical event, with opportunity to meet the artists. Arrernte/Gurindji singer-songwriter Dan Sultan launched the Tarnanthi festival with a free music concert and public event on the forecourt of the Art Gallery of South Australia. 2025 In 2025, Tarnanthi featured over 200 works that had featured over the previous ten festivals and had become part of AGSA's permanent collection, and were displayed across the state at 25 partner venues. The exhibition was titled Too Deadly, Ten Years of Tarnanthi, and included significant works such as Kuḻaṯa Tjuṯa (Many Spears) and Yhonnie Scarce's Thunder Raining Poison, which both reference the British nuclear tests at Maralinga. The festival opened on 16 October with a free concert by hip-hop supergroup 3% and DJ Ian Buller. The in-person Tarnanthi Art Fair on the opening weekend was attended by 4,225 people and $920,583 worth of art was sold. ==References==