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TeenSet

TeenSet was an American music and fan magazine published by Capitol Records. Beginning in 1964 as a free album insert for fans of the Beach Boys, the magazine was sold separately in 1965 and it grew in popularity. It was introduced as a vehicle to promote the Beach Boys and other Capitol artists, but in the hands of editor Judith Sims, the magazine broke new ground, rising above its fan club origin. Quickly establishing itself as the gateway to the inner circle of the Beatles at the height of Beatlemania, TeenSet parlayed this trust to introduce their readers to new artists, in the process greatly increasing the visibility of Buffalo Springfield, the Doors, Janis Joplin and the Mothers of Invention. The magazine benefited from articles by music critic Sue Cameron, London correspondent Carol Gold, psychedelic maverick Robert Shea, and photographs from Jim Marshall and Michael Ochs. It began as an early teen girls' magazine but by 1968 was shifting to focus on late teen girls and young women in their early twenties.

History
1964–65 In March 1964, the Beach Boys released the album Shut Down Volume 2 which came with an inner sleeve announcing the invitation, "Join the Teen Set on Capitol." The inner sleeve gave instructions for joining the Teen Set fan club, based in Hollywood, California. It promised "Details in the next great issue of the Teen Set magazine." The first magazine issue of the Teen Set was ready in October 1964, released as a free insert to the live album Beach Boys Concert. The magazine informed the reader about various aspects of the Beach Boys. The second issue was ready in March 1965, printed in a massive run of 500,000, produced by Lou Kimzey and his Kimtex Corporation. The first 350,000 copies of the magazine were given free with the purchase of a specified teen-oriented Capitol album, including the recent February releases of the Lettermen's Portrait of My Love, and an album by the easy listening Hollyridge Strings (playing orchestral versions of Beatles songs), as well as the March releases of Dick Dale's ''Live at Ciro's'', Bobby Rydell's Somebody Loves You, and The Beach Boys Today! The remaining magazine copies were sold at newsstands for 35¢, and they were popular enough for Capitol to move forward with a quarterly publishing schedule. Capitol later reported that they had sold 90,000 of the 150,000 copies set aside for newsstand sales. Artists profiled in the Teen Set volume 2 were Donna Loren, Bobby Rydell, Peter & Gordon and, of course, the Beach Boys. Featured artists in November 1965 included UK acts such as the Beatles, singer Ian Whitcomb, actor/oboist David McCallum and the Rolling Stones, showing that the British Invasion would be sustained by Capitol through TeenSet. The magazine geared up for a change from quarterly to monthly publication in 1966. Sue Cameron introduced the Mothers of Invention and Buffalo Springfield to TeenSet in the November 1966 issue, an article titled "Hollywood Group Scene" that also included the Association pop-folk group, and the Everpresent Fullness, a band that saw brief success with Warren Zevon's adaptation of the old Jim Jackson blues song "Wild About My Lovin'". Michael Vosse kept up interest in Zappa by featuring him in an article published in January 1967. In December 1966, TeenSet published "On Tour with the Beatles", showing Sims in close contact with the Beatles as they toured the US. (This turned out to be their final tour.) Sims wrote exciting concert experiences and the daily routine of touring, sharing inside glimpses of the band. In November 1966, Buffalo Springfield first played their song "For What It's Worth (Stop, Hey What's That Sound)" at the Whisky a Go Go. Sims heard the song and immediately took a liking to the band, determining to include something about them in every issue. The song played on Los Angeles radio at the end of 1966, then started climbing the charts in early 1967. TeenSet was invaluable in helping to keep the band in the public eye during 1967–1968, featuring the band in a layout published in January 1967. Sims later said, "They just knocked me out. It was obvious they loved playing with each other and respected each other's musicianship. They were a joy to behold." Gold caught up with the Jimi Hendrix Experience in April 1967 in London, with the interview published in August. When Beatles' manager Brian Epstein died in August, Marilyn Doerfler wrote a remembrance of him, published in the December 1967 issue of TeenSet. Doerfler had previously written in July about a poorly conducted publicity appearance by the Monkees, and she had accompanied Sims on the Beatles final tour. WCFL sponsorship In mid-1967, Chicago radio station WCFL sponsored a series of TeenSet issues in the Chicago area, adding their call letters to the top of the magazine as sold in Chicago. The "WCFL Presents" version of TeenSet carried four additional pages of local Chicago music events and advertisements, aimed at the station's fan base. WCFL disc jockey Jim Stagg had previously covered the Beatles final US tour with Sims. 1968–69 In January 1968, TeenSet included "giant wall size" posters of Ringo Starr and Micky Dolenz, and the price had risen to 50¢ per issue. Carol Gold reported on the UK filming of Magical Mystery Tour film which she had watched in September 1967. The magazine was shifting its aim to reach older high school girls and young women in college. Writer Jerry Hopkins interviewed Frank Zappa and the Mothers of Invention, and published stories about them in Rolling Stone and TeenSet. His September 1968 article in TeenSet, "That's Funny, You Don't Look Like The Musician Of The Year", talked about how the group was known for their onstage antics, or "atrocities". Hated by some of their audiences, Hopkins joked that the group was "both hailed and stoned", implying the audience was praising and stoning (throwing rocks at) them. The next month, TeenSet included a foldout poster of Zappa, a psychedelic rendering of multiple exposures. in 1968, Jacoba Atlas interviewed Jimi Hendrix in Benedict Canyon, providing enough material for a two-part article. The second half of the interview discussed Hendrix's political views including his thoughts about the Black Panther Party and the Black Power movement; it appeared in the January 1969 issue made controversial because the cover showed white singer Grace Slick in blackface giving the Black power salute. TeenSet sponsored the magazine's "first annual" (only) ice skating Christmas party in late 1968, held at Topanga Plaza Ice Capades Chalet. With three Canadians in the band, Buffalo Springfield appeared very expert and relaxed on the ice compared to Hearts & Flowers and the Merry-Go-Round. In March 1969, TeenSet published with a question mark next to the magazine name (TeenSet?), which turned out to be the final issue. The cover showed two dolls with pasted-on heads: a naked black G.I. Joe with Jimi Hendrix's head, and a naked Barbie with Mia Farrow's head. Shea also wrote "Morality Is Not Good for You" in the same issue, under the name "Alexander Eulenspiegel". Sims listed this two-page article in the table of contents as "The New Morality. It may be just the absence of the old morality." In May 1969 the magazine was published with a new name, AUM, an initialism for Adult Underthirty Magazine, also referring to the Hindu meditation word Om. The cover photograph by Ed Caraeff showed four of the GTOs including Pamela Des Barres, each holding a different past issue of TeenSet. The editorial by Sims said the magazine's new title was pronounced "awm". Continuing with the magazine were writers Jacoba Atlas, Jerry Hopkins, "Alexander Eulenspiegel" (Robert Shea) and more. The July issue of AUM was the magazine's final appearance, featuring a cover painting titled "Aquarius Theatre" by the Fool, a Dutch artist duo. ==Legacy==
Legacy
After TeenSet and AUM shut down, many of the writers went to Rolling Stone, including editor Sims who was hired as the Los Angeles bureau chief. In 2014, the magazine Flashback published a retrospective titled "TeenSet: The story behind this pioneering 1960s American rock magazine." From 2018 to 2021, TeenSet has been explored by Dr Allison Bumsted in her PhD thesis considering multiple aspects of TeenSet magazine and popular music journalism at Liverpool Hope University. ==References==
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