Rehearsals began in Los Angeles in October 1986, with the band by then reduced to just singer
Chrissy Amphlett and guitarist
Mark McEntee. Guitarist Bjarne Ohlin had already left and drummer JJ Harris was sacked at the insistence of producer
Mike Chapman, who regarded him as inadequate for the task. The band's label,
Chrysalis Records, told Amphlett and McEntee it regarded the album as a make-or-break record, following the lacklustre sales performance of its predecessor,
What a Life!. The pair returned to Australia in December 1986 for a series of Australian Made gigs in the capital cities, with Divinyls joining a lineup that included
Mental As Anything,
I'm Talking,
The Triffids,
The Saints,
Models,
Jimmy Barnes and
INXS. Amphlett and McEntee were supported on stage by
Rick Grossman (bass),
Kenny Lyon (keyboards) and Americans Tommy Cain (drums) and
Frank Infante (guitar). Grossman quit at the close of the Australian Made tour and checked into a rehabilitation clinic for treatment for heroin addiction and Amphlett and McEntee returned to Los Angeles in 1987 to begin recording. The new lineup for the album included Lyon,
Machinations drummer Warren McLean and Tootieville bassist Tim Millikan. Recording began at Rumbo Recorders, but ceased after complaints about noise by
Neil Diamond, who was recording in the next studio. The band transferred to
Sunset Sound Recorders with Chapman to complete the album. ==Reception==