Kine Weekly wrote: "Bernard Vorhaus has accorded the play straightforward treatment and relied on the dialogue to gain his big dramatic moments ... Continuity is rather ragged in the opening, and it takes a little time for the picture to grip the inerest, but once the idea of the crime is mooted the holding power is good and is not released tll the final shot."
Film Weekly wrote: "Fairly good murder drama, adapted from the successful play. Opens weakly, but works up to a really tense climax which is well worth seeing. ... The long-winded opening reminds one of Briish pictures two or three years ago. There is even a restaurant scene, complete with the inevitable nothing-to-do-with-the-story cabaret. ... Handicapped as he is by miscasting, Phillips Holmes succeeds in giving a pretty good perormance ... Aileen Marson is just the girl in the case, and nothing more. Theo Shall overplays the villain by adopting a heavily melodramatic and theatrical style which went out of fashion some time ago." ==References==