First edition 1952 Many of the first English reviews were not encouraging. An unnamed
Times reviewer called the book "a slight and technically immature piece of work, loose-jointed and clumsy in construction to the point of amateurishness", though conceding that the book leaves an impression of genuine talent. The
Times Literary Supplement considered it a quiet little story of much merit, while likewise holding its central literary device to be clumsy. Not all were so negative, though.
The Illustrated London News thought the novel intensely personal and ghastly in a quiet way, yet full of beauty and consolation, while a brief notice in the
Daily Mirror called the story a jungle of human emotion, love, hate and the clash of wills. The US reviews were uniformly positive. In an influential review in
Partisan Review,
Delmore Schwartz praised the book at the expense of
John Steinbeck,
Evelyn Waugh,
Angus Wilson and
Ernest Hemingway. Schwartz said: "To read a first novel by an unknown author which, sentence by sentence and page by page makes one say: he can't keep going at this pace, the intensity is bound to break down, the perfection of tone can't be maintained – is to rejoice in an experience of pleasure and astonishment ... [It] makes one think of a great ballad or a Biblical story ... The reader, drawn forward by lyric eloquence and the story's fascination, discovers in the end that he has encountered in a new way the sphinx and the riddle of existence itself." He concluded by comparing O'Brian's prose to the lyrics of the great Irish poet
W. B. Yeats. In the 1994 re-issue, Schwartz's review was reprinted as a preface. while
Saturday Review said that the story moves to its end with the rightness and inevitability we think of as Greek.
Kirkus Reviews considered the novel to be of unassuming proportion and immaculate design.
Re-issue 1993/1994 By the time of the novel's UK reissue as
Testimonies in 1994, O'Brian had become a well-known author with a high reputation for his
Aubrey-Maturin nautical historical series of novels. Writing in
The Sunday Telegraph,
Jessica Mann recognised O'Brian's early use in this novel of the surnames Aubrey and Maturin, and she asked how this book could possibly have been so completely neglected after its initial 1952 publication.
The Independent commented on the writer's apparently effortless yet powerful evocation of emotion, and the way in which he brought very modern language to a story full of "ancient haunting purity". Reviewing the US re-issue,
Kirkus Reviews likewise highlighted the precision of the prose, and suggested that it lends purity to a "quiet, tragic idyll". ==References==